Unlimited Embrace: A Canon of Gay Fiction, 1945-1995University of Massachusetts Press, 1998 - 338 pagina's In this pathbreaking book, a gay literary critic evaluates a half-century of fictional works "by, for, and about" homosexual men and situates them in the context of an emerging American gay culture. Reed Woodhouse shows how the best gay fiction of the period, like all good literature, not only reflected but anticipated social changes that were afoot -- from the founding of the first enduring gay rights organizations through the Stonewall riots to the ambiguous mainstreaming of homosexuality that continues today. Written in a personal voice, Unlimited Embrace is as much about gay identity as about gay literature. The canon Woodhouse constructs is not merely a list of gay books worth reading, but a guide to "leading a good life as a gay man" as well. In the fiction of Tennessee Williams, James Baldwin, Christopher Isherwood, James Purdy, Edmund White, Andrew Holleran, Larry Kramer, Ethan Mordden, Dennis Cooper, David Leavitt, and Neil Bartlett, Woodhouse finds intimate glimpses of lives previously veiled in euphemism, slander, and contempt and now striving to take new form. More than that, he raises questions about sexual identity and desire, defiance and wit, that are as relevant to straight readers as to gay ones. Although the book ends with a sober consideration of the literary legacy of AIDS, Unlimited Embrace is more celebration than lament -- an affirmation of the enduring power of literature to shape life. |
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... begins unforgettably with a description from within of the terror , the unreality , of the most ordinary event in the world : waking up . Waking up begins with saying am and now . That which has awoken then lies for a while staring up ...
... begins to be known on the island as a wit : " it's the best laugh we've had in months . Herbert's amazed at your erudition and your powers of instant recall . He had no idea that you even knew that old poem " ( 107 ) . Gradually it begins ...
... begin to get closer to the chameleon . We begin to see him in situ , with a history , a family , a future , a routine . He begins to share some characteristics with readers who do not , for instance , live in a theater or on a ...
Inhoudsopgave
1 | 17 |
Tennessee Williamss Gay Short Stories | 35 |
2 | 51 |
Copyright | |
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