Marxism and ArtMaynard Solomon Knopf, 1973 - 649 pagina's |
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Pagina 328
... feeling - world only in so far as they are able to produce changes in each other's feelings by action . This change in feeling is crucial for art . The sum of such changes , organised and made independent of men , is what art is , not ...
... feeling - world only in so far as they are able to produce changes in each other's feelings by action . This change in feeling is crucial for art . The sum of such changes , organised and made independent of men , is what art is , not ...
Pagina 439
... feeling . The mural paintings of the paleo- lithic caves reveal several typical groups of such aesthetic feelings that sometimes appear separated and sometimes combined . The strongest is the feeling of the greatness , the power and the ...
... feeling . The mural paintings of the paleo- lithic caves reveal several typical groups of such aesthetic feelings that sometimes appear separated and sometimes combined . The strongest is the feeling of the greatness , the power and the ...
Pagina 531
... feeling we are aware of now is thus only a shrunken vestige of a far more extensive feeling — a feeling which embraced the universe and expressed an inseparable connection of the ego with the external world.15 The concept of primary ...
... feeling we are aware of now is thus only a shrunken vestige of a far more extensive feeling — a feeling which embraced the universe and expressed an inseparable connection of the ego with the external world.15 The concept of primary ...
Inhoudsopgave
A READER IN Marxist Aesthetics Selected Texts | 22 |
THE SECOND GENERATION | 79 |
ANTONIO LABRIOLA | 91 |
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activity animal Anti-Dühring appears artistic become bourgeois bourgeoisie Bukharin Capital capitalist Caudwell character common Communist Communist Manifesto conception consciousness create creation creative criticism Critique culture determined dialectics Divine Comedy Dostoyevsky dream economic elements emotions epoch Ernst Bloch existence expression fact feeling forces freedom Georg Lukács German Hegel human ideas ideology illusion images imagination individual instincts intellectual Karl Marx labor process labour Lenin Leo Tolstoy literary literature Lukács Marx and Engels Marx's Marxist aesthetics masses material means Mehring mode of production movement nature object Party period philosophy play Plekhanov poet poetic poetry political primitive problem proletariat Pushkin question reality relation religion revolution revolutionary Rosa Luxemburg Russian Russian literature sense Shakespeare social socialist society Soviet spirit struggle Surplus Value theory things thought tion Tolstoy Tolstoy's Tolstoyan Trotsky truth unity Utopian whole words writings wrote Zhdanovism