Marxism and ArtMaynard Solomon Knopf, 1973 - 649 pagina's |
Vanuit het boek
Resultaten 1-3 van 70
Pagina 149
... centuries , throughout the Middle Ages and down to the last third of the eighteenth century , Russia was enveloped in a cryptlike silence , in darkness and barbarism . She had no cultivated literary language , no scien- tific literature ...
... centuries , throughout the Middle Ages and down to the last third of the eighteenth century , Russia was enveloped in a cryptlike silence , in darkness and barbarism . She had no cultivated literary language , no scien- tific literature ...
Pagina 150
... century . It explains the richness and depth of its spiritual quality , the fullness and originality of its artistic form , above all , its creative and driving social force . Russian literature became , under czarism , a power in ...
... century . It explains the richness and depth of its spiritual quality , the fullness and originality of its artistic form , above all , its creative and driving social force . Russian literature became , under czarism , a power in ...
Pagina 552
... century . These convergent endeavors made predictable a situation which Paul Valéry pointed up in this sentence : “ Just as water , gas , and electricity are brought into our houses from far off to satisfy our needs in response to a ...
... century . These convergent endeavors made predictable a situation which Paul Valéry pointed up in this sentence : “ Just as water , gas , and electricity are brought into our houses from far off to satisfy our needs in response to a ...
Inhoudsopgave
A READER IN Marxist Aesthetics Selected Texts | 22 |
THE SECOND GENERATION | 79 |
ANTONIO LABRIOLA | 91 |
Copyright | |
28 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
activity animal Anti-Dühring appears artistic become bourgeois bourgeoisie Bukharin Capital capitalist Caudwell character common Communist Communist Manifesto conception consciousness create creation creative criticism Critique culture determined dialectics Divine Comedy Dostoyevsky dream economic elements emotions epoch Ernst Bloch existence expression fact feeling forces freedom Georg Lukács German Hegel human ideas ideology illusion images imagination individual instincts intellectual Karl Marx labor process labour Lenin Leo Tolstoy literary literature Lukács Marx and Engels Marx's Marxist aesthetics masses material means Mehring mode of production movement nature object Party period philosophy play Plekhanov poet poetic poetry political primitive problem proletariat Pushkin question reality relation religion revolution revolutionary Rosa Luxemburg Russian Russian literature sense Shakespeare social socialist society Soviet spirit struggle Surplus Value theory things thought tion Tolstoy Tolstoy's Tolstoyan Trotsky truth unity Utopian whole words writings wrote Zhdanovism