SCENE TAKEN FROM A TRIP TO SCARBOROUGH. BY SHERIDAN. SCENE 1.- The Hall of an Inn. Enter YOUNG FASHION and LORY, POSTILION following with a portmanteau. YOUNG FASHION.-Lory, pay the post-boy, and take the portmanteau. LORY.-Faith, sir, we had better let the post-boy take the portmanteau and pay himself. FASHION.-Why, sure there's something left in it. LORY.-Not a rag, upon my honour, sir, -we eat the last of your wardrobe at Newmalton; and, if we had had twenty miles further to go, our next meal must have been of the cloak-bag. FASHION. Why, 'sdeath, it appears full. FASHION.-Why, LORY.-Yes, sir,—I made bold to stuff it with hay, to save appearances, and look like baggage. FASHION.- What the devil shall I do? Harkee, boy, what's the chaise? POSTILION. Thirteen shillings, please your honour. FASHION.-Can you give me change for a guinea? POSTILION.-O yes, sir. LORY.-Soh, what will he do now? had better let the boy be paid below. Lord, sir, you FASHION.-Why, as you say, Lory, I believe it will be as well. LORY.-Yes, yes; I'll tell them to discharge you below, honest friend. K POSTILION.-Please your honour, there are the turnpikes too. FASHION.-Ay, ay, the turnpikes, by all means. POSTILION. And I hope your honour will order me something for myself. FASHION. To be sure; bid them give you a crown. LORY.-Yes, yes-my master doesn't care what you charge them; so get along, you POSTILION. And there's the ostler, your honour. LORY.-'Pshaw! hang the ostler-would you impose upon the gentleman's generosity? (Pushes him out.) A rascal, to be so curst ready with his change! me. FASHION.- Why, faith, Lory, he had nearly posed LORY.- Well, sir, we are arrived at Scarborough, not worth a guinea! I hope you'll own yourself a happy man. -you have outlived all your cares. FASHION.- - How so, sir? LORY.-Why, you have nothing left to take care of. FASHION.-Yes, sirrah, I have myself and you to take care of still. LORY.-Sir, if you could prevail with somebody else to do that for you, I fancy we might both fare the better for it. But now, sir, for my Lord Foppington, your eldest brother. FASHION.- Hang my eldest brother! LORY.-With all my heart; but get him to redeem your annuity, however. Look you, sir, you must wheedle him, or you must starve. FASHION.-LOOk you, sir, I will neither wheedle him nor starve. LORY.-Why, what will you do, then? FASHION. Cut his throat, or get some one to do it for me. LORY.-Gad, so, sir, I'm glad to find I was not so well acquainted with the strength of your conscience as with the weakness of your purse. FASHION. Why, art thou so impenetrable a blockhead as to believe he'll help me with a farthing? LORY.-Not if you treat him de haut en bas, as you used to do. FASHION.-Why, how would'st have me treat him? FASHION. I can't flatter. LORY. I can't-good-bye t'ye, sir. FASHION.Stay-thou'lt distract me. But who comes here?. - my old friend, Colonel Townly.(Enter Colonel Townly.)—My dear colonel, I am rejoiced to meet you here. COL. TOWNLY.- Dear Tom, this is an unexpected pleasure.—What, are you come to Scarborough to be present at your brother's wedding? LORY.-Ah! sir, if it had been his funeral, we should have come with pleasure. COL. TOWNLY.-What, honest Lory, are you with your master still? LORY.-Yes, sir, I have been starving with him ever since I saw your honour last. FASHION. Why, Lory is an attached rogue; there's no getting rid of him. LORY.-True, sir, as my master says, there's no seducing me from his service, (aside) till he's able to pay me my wages. FASHION.- Go, go, sir,—and take care of the baggage. LORY.-Yes, sir,-the baggage! O Lord! I suppose, sir, I must charge the landlord to be very particular where he stows this? FASHION.Get along, you rascal! (Exit Lory with the portmanteau.) POETRY. THE COUNTRY CURATE. Near yonder copse, where once the garden smiled, Nor e'er had changed, nor wished to change his place; Thus to relieve the wretched was his pride, He watch'd and wept, he pray'd, and felt for all. And, as a bird each fond endearment tries, Beside the bed, where parting life was laid, And pluck'd his gown, to share the good man's smile. Swells from the vale, and midway leaves the storm, GOLDSMITH. THE LADY OF THE LAKE. From the steep promontory gazed In that soft vale, a lady's bower; |