Dwight's Journal of Music, Volumes 39-40John Sullivan Dwight Oliver Ditson & Company, 1967 |
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Pagina 53
... write for the piano - forte , they often treat it as if it were an orchestra . Were the mere mastery over the ... write for . An Liszt's formidable transcription of the march the world with some unprecedented flight of orchestral writer ...
... write for the piano - forte , they often treat it as if it were an orchestra . Were the mere mastery over the ... write for . An Liszt's formidable transcription of the march the world with some unprecedented flight of orchestral writer ...
Pagina 159
... writing for voices , for instruments , and for both combined ; his genuine and deep appreciation of his subject , and of his determination not to write down to the public , but to endeavor to lift his hearers to the con- templation of ...
... writing for voices , for instruments , and for both combined ; his genuine and deep appreciation of his subject , and of his determination not to write down to the public , but to endeavor to lift his hearers to the con- templation of ...
Pagina 137
... write what I wish , " masterpiece ? Have you nothing in your he said sadly to his friend Bihler , " I work for portfolio ? Lately I have thought that , if one money ! But when the bad times have passed , were to throw into as few verses ...
... write what I wish , " masterpiece ? Have you nothing in your he said sadly to his friend Bihler , " I work for portfolio ? Lately I have thought that , if one money ! But when the bad times have passed , were to throw into as few verses ...
Inhoudsopgave
ZERRAIN played the Prometheus overture | 10 |
held the position of organist and choirmaster in the Church | 24 |
A Study Fanny | 25 |
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21 Astor Place Adagio admirable Allegro Andante Aria Arthur Sullivan artist audience Bach Bach's bass beautiful Beethoven Berlioz Boston cantata Carl cello charming CHICAGO MUSIC choir Chopin choral chorus Club composer composition concert E-flat effect expression feeling festival Franz friends Fugue gave genius George Sand give given grand Hall Handel harmony Haydn hear heard Herr Idomeneo instruments interest listen Liszt master Max Bruch melody Mendelssohn ment Messrs minor Miss movement Mozart musicians noble opera oratorio orchestra organ Overture paint Paris Passion Music performance Philharmonic pianist piano piano-forte piece played programme pupils Quartet Quintet Raff recitals rehearsals Rubinstein Saint-Saëns sang Sanzio Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano spirit string style sung sweet Symphony Tannhäuser taste tenor theatre thing tion tone Trio violin vocal voice Wagner whole xxxix young