Dwight's Journal of Music, Volumes 39-40John Sullivan Dwight Oliver Ditson & Company, 1967 |
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Pagina 29
... thought . independent melody of all the parts as that in I say ought , because the fingers may be trained , C , which we heard last year ; but it is strong , and in fact generally are , to respond to the vis- hearty , wholesome music ...
... thought . independent melody of all the parts as that in I say ought , because the fingers may be trained , C , which we heard last year ; but it is strong , and in fact generally are , to respond to the vis- hearty , wholesome music ...
Pagina 67
... thought has been revolutionized , and tones are no more absolute , nor artificially related , but are found to have each its special mental effect , according to its key relationship , and hence the mnemonic methods for helping the thought ...
... thought has been revolutionized , and tones are no more absolute , nor artificially related , but are found to have each its special mental effect , according to its key relationship , and hence the mnemonic methods for helping the thought ...
Pagina 177
... thought , is as attractive as in model works of the most though this is certainly more the affair of recent period . We do not often find the intellect than of will . SCHUMANN ON STRINGED QUARTETS quartet writing , which makes great ...
... thought , is as attractive as in model works of the most though this is certainly more the affair of recent period . We do not often find the intellect than of will . SCHUMANN ON STRINGED QUARTETS quartet writing , which makes great ...
Inhoudsopgave
ZERRAIN played the Prometheus overture | 10 |
held the position of organist and choirmaster in the Church | 24 |
A Study Fanny | 25 |
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21 Astor Place Adagio admirable Allegro Andante Aria Arthur Sullivan artist audience Bach Bach's bass beautiful Beethoven Berlioz Boston cantata Carl cello charming CHICAGO MUSIC choir Chopin choral chorus Club composer composition concert E-flat effect expression feeling festival Franz friends Fugue gave genius George Sand give given grand Hall Handel harmony Haydn hear heard Herr Idomeneo instruments interest listen Liszt master Max Bruch melody Mendelssohn ment Messrs minor Miss movement Mozart musicians noble opera oratorio orchestra organ Overture paint Paris Passion Music performance Philharmonic pianist piano piano-forte piece played programme pupils Quartet Quintet Raff recitals rehearsals Rubinstein Saint-Saëns sang Sanzio Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano spirit string style sung sweet Symphony Tannhäuser taste tenor theatre thing tion tone Trio violin vocal voice Wagner whole xxxix young