Dwight's Journal of Music, Volumes 39-40John Sullivan Dwight Oliver Ditson & Company, 1967 |
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Pagina 1
... taste for I have tried to give two significant examples , glass beads , we are content to purchase the have been too generally referred by critics right of way through his territory with that to the ( real or supposed ) inclination ...
... taste for I have tried to give two significant examples , glass beads , we are content to purchase the have been too generally referred by critics right of way through his territory with that to the ( real or supposed ) inclination ...
Pagina 11
... taste . At the close of the last season , have a proper place to perform great works sistance that could be obtained in the vil- the Handel and Haydn Society had given six in , would indeed show an atmosphere in which lage , and also ...
... taste . At the close of the last season , have a proper place to perform great works sistance that could be obtained in the vil- the Handel and Haydn Society had given six in , would indeed show an atmosphere in which lage , and also ...
Pagina 187
... taste are excusable in the accomplishment of their purpose , the assist with mere technical knowledge ( harmony , counter- a young man , and were introduced more forance of Mr. Lowell Mason , one of their members point ) regarding ...
... taste are excusable in the accomplishment of their purpose , the assist with mere technical knowledge ( harmony , counter- a young man , and were introduced more forance of Mr. Lowell Mason , one of their members point ) regarding ...
Inhoudsopgave
ZERRAIN played the Prometheus overture | 10 |
held the position of organist and choirmaster in the Church | 24 |
A Study Fanny | 25 |
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21 Astor Place Adagio admirable Allegro Andante Aria Arthur Sullivan artist audience Bach Bach's bass beautiful Beethoven Berlioz Boston cantata Carl cello charming CHICAGO MUSIC choir Chopin choral chorus Club composer composition concert E-flat effect expression feeling festival Franz friends Fugue gave genius George Sand give given grand Hall Handel harmony Haydn hear heard Herr Idomeneo instruments interest listen Liszt master Max Bruch melody Mendelssohn ment Messrs minor Miss movement Mozart musicians noble opera oratorio orchestra organ Overture paint Paris Passion Music performance Philharmonic pianist piano piano-forte piece played programme pupils Quartet Quintet Raff recitals rehearsals Rubinstein Saint-Saëns sang Sanzio Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano spirit string style sung sweet Symphony Tannhäuser taste tenor theatre thing tion tone Trio violin vocal voice Wagner whole xxxix young