Dwight's Journal of Music, Volumes 39-40John Sullivan Dwight Oliver Ditson & Company, 1967 |
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Pagina 106
... sound be distinguished from the joyful . But you explains its individual quality . If expressive may depend upon it that the scrupulously ex- musical effects are attained through harmony act observer , who informs you that a certain ...
... sound be distinguished from the joyful . But you explains its individual quality . If expressive may depend upon it that the scrupulously ex- musical effects are attained through harmony act observer , who informs you that a certain ...
Pagina 142
... sound ? What is the that such fifths rudely break off the relations of the questions and the practices of musical art , be- beautiful law of " overtones , " then , good for ? tonality , he seeks in vain for better reasons . ing ...
... sound ? What is the that such fifths rudely break off the relations of the questions and the practices of musical art , be- beautiful law of " overtones , " then , good for ? tonality , he seeks in vain for better reasons . ing ...
Pagina 174
... sound was produced in the same manner as in a forms are suspended , which can be raised or lowered through which many will remember to have seen at the piano - forte , namely , by pressing the keys , but on the bow different pedals . In ...
... sound was produced in the same manner as in a forms are suspended , which can be raised or lowered through which many will remember to have seen at the piano - forte , namely , by pressing the keys , but on the bow different pedals . In ...
Inhoudsopgave
ZERRAIN played the Prometheus overture | 10 |
held the position of organist and choirmaster in the Church | 24 |
A Study Fanny | 25 |
22 andere gedeelten niet getoond
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21 Astor Place Adagio admirable Allegro Andante Aria Arthur Sullivan artist audience Bach Bach's bass beautiful Beethoven Berlioz Boston cantata Carl cello charming CHICAGO MUSIC choir Chopin choral chorus Club composer composition concert E-flat effect expression feeling festival Franz friends Fugue gave genius George Sand give given grand Hall Handel harmony Haydn hear heard Herr Idomeneo instruments interest listen Liszt master Max Bruch melody Mendelssohn ment Messrs minor Miss movement Mozart musicians noble opera oratorio orchestra organ Overture paint Paris Passion Music performance Philharmonic pianist piano piano-forte piece played programme pupils Quartet Quintet Raff recitals rehearsals Rubinstein Saint-Saëns sang Sanzio Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano spirit string style sung sweet Symphony Tannhäuser taste tenor theatre thing tion tone Trio violin vocal voice Wagner whole xxxix young