Dwight's Journal of Music, Volumes 39-40John Sullivan Dwight Oliver Ditson & Company, 1967 |
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Pagina 142
... nature why they should not sound agreeably , and ural laws . Indeed , from the way in which he dis- tonic , or keynote ; but melody must move , and that in fact it is all a matter of habit that we misses several questions , we rather ...
... nature why they should not sound agreeably , and ural laws . Indeed , from the way in which he dis- tonic , or keynote ; but melody must move , and that in fact it is all a matter of habit that we misses several questions , we rather ...
Pagina 124
... nature . Being artificial constitutes it a work of art , apart from nature , in so far as it is not a fac - simile , but true to nature in so far as it is the heightening of the realities of ordinary life , and heightening them with the ...
... nature . Being artificial constitutes it a work of art , apart from nature , in so far as it is not a fac - simile , but true to nature in so far as it is the heightening of the realities of ordinary life , and heightening them with the ...
Pagina 171
... nature . Yet , no fair - minded man yond the line of music proper . He may become will deny that Wagner will do great good for a wanderer in many lands , and yet return to the Tournai , Liége , and numerous other popu - music . It will ...
... nature . Yet , no fair - minded man yond the line of music proper . He may become will deny that Wagner will do great good for a wanderer in many lands , and yet return to the Tournai , Liége , and numerous other popu - music . It will ...
Inhoudsopgave
ZERRAIN played the Prometheus overture | 10 |
held the position of organist and choirmaster in the Church | 24 |
A Study Fanny | 25 |
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21 Astor Place Adagio admirable Allegro Andante Aria Arthur Sullivan artist audience Bach Bach's bass beautiful Beethoven Berlioz Boston cantata Carl cello charming CHICAGO MUSIC choir Chopin choral chorus Club composer composition concert E-flat effect expression feeling festival Franz friends Fugue gave genius George Sand give given grand Hall Handel harmony Haydn hear heard Herr Idomeneo instruments interest listen Liszt master Max Bruch melody Mendelssohn ment Messrs minor Miss movement Mozart musicians noble opera oratorio orchestra organ Overture paint Paris Passion Music performance Philharmonic pianist piano piano-forte piece played programme pupils Quartet Quintet Raff recitals rehearsals Rubinstein Saint-Saëns sang Sanzio Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano spirit string style sung sweet Symphony Tannhäuser taste tenor theatre thing tion tone Trio violin vocal voice Wagner whole xxxix young