Dwight's Journal of Music, Volumes 39-40John Sullivan Dwight Oliver Ditson & Company, 1967 |
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Pagina 99
... grand banquet , at which two or Germany the School of the Future . They three hundred persons will be present , is to will not give in , and are absolutely bent on be given in my honor . In a word , what can my being their chief and ...
... grand banquet , at which two or Germany the School of the Future . They three hundred persons will be present , is to will not give in , and are absolutely bent on be given in my honor . In a word , what can my being their chief and ...
Pagina 132
... grand pathetic adagio , containing very much florid ornament , but rather as a grace than as matter of continu- ous execution . Then there was the aria di porta- mento , which corresponded to a great extent with what is now understood ...
... grand pathetic adagio , containing very much florid ornament , but rather as a grace than as matter of continu- ous execution . Then there was the aria di porta- mento , which corresponded to a great extent with what is now understood ...
Pagina 144
... grand prize . The ure and the shell bear the device of the college , with a Parisian says : ' Miss Griswold's grand success this lion rampant , regardant , with his tail curled round a year is only the more gratifying because it was not ...
... grand prize . The ure and the shell bear the device of the college , with a Parisian says : ' Miss Griswold's grand success this lion rampant , regardant , with his tail curled round a year is only the more gratifying because it was not ...
Inhoudsopgave
ZERRAIN played the Prometheus overture | 10 |
held the position of organist and choirmaster in the Church | 24 |
A Study Fanny | 25 |
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21 Astor Place Adagio admirable Allegro Andante Aria Arthur Sullivan artist audience Bach Bach's bass beautiful Beethoven Berlioz Boston cantata Carl cello charming CHICAGO MUSIC choir Chopin choral chorus Club composer composition concert E-flat effect expression feeling festival Franz friends Fugue gave genius George Sand give given grand Hall Handel harmony Haydn hear heard Herr Idomeneo instruments interest listen Liszt master Max Bruch melody Mendelssohn ment Messrs minor Miss movement Mozart musicians noble opera oratorio orchestra organ Overture paint Paris Passion Music performance Philharmonic pianist piano piano-forte piece played programme pupils Quartet Quintet Raff recitals rehearsals Rubinstein Saint-Saëns sang Sanzio Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano spirit string style sung sweet Symphony Tannhäuser taste tenor theatre thing tion tone Trio violin vocal voice Wagner whole xxxix young