Dwight's Journal of Music, Volumes 39-40John Sullivan Dwight Oliver Ditson & Company, 1967 |
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Pagina 142
... fact , musical composition of whatever - In No. 1001 . tions and conjectures , trusts no idealisms , but fol- termined . But does this prove that the musical of the book ; and then , scarcely regarding the lows Helmholtz's critical ...
... fact , musical composition of whatever - In No. 1001 . tions and conjectures , trusts no idealisms , but fol- termined . But does this prove that the musical of the book ; and then , scarcely regarding the lows Helmholtz's critical ...
Pagina 146
... fact that through his efforts the youth- the reader must bear in mind that , when we able and wonderful Adagio , to which I shall ful genius of Haydn was first inspired . Fol- speak of Beethoven's Sonata creations , we return again ...
... fact that through his efforts the youth- the reader must bear in mind that , when we able and wonderful Adagio , to which I shall ful genius of Haydn was first inspired . Fol- speak of Beethoven's Sonata creations , we return again ...
Pagina 191
... fact that none but a genius like his fare of art to be identified with himself , and ist , in one case , and both organist and organ - pipes could have accomplished the admirable work he works for art cum gloria , rather than for art in ...
... fact that none but a genius like his fare of art to be identified with himself , and ist , in one case , and both organist and organ - pipes could have accomplished the admirable work he works for art cum gloria , rather than for art in ...
Inhoudsopgave
ZERRAIN played the Prometheus overture | 10 |
held the position of organist and choirmaster in the Church | 24 |
A Study Fanny | 25 |
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21 Astor Place Adagio admirable Allegro Andante Aria Arthur Sullivan artist audience Bach Bach's bass beautiful Beethoven Berlioz Boston cantata Carl cello charming CHICAGO MUSIC choir Chopin choral chorus Club composer composition concert E-flat effect expression feeling festival Franz friends Fugue gave genius George Sand give given grand Hall Handel harmony Haydn hear heard Herr Idomeneo instruments interest listen Liszt master Max Bruch melody Mendelssohn ment Messrs minor Miss movement Mozart musicians noble opera oratorio orchestra organ Overture paint Paris Passion Music performance Philharmonic pianist piano piano-forte piece played programme pupils Quartet Quintet Raff recitals rehearsals Rubinstein Saint-Saëns sang Sanzio Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano spirit string style sung sweet Symphony Tannhäuser taste tenor theatre thing tion tone Trio violin vocal voice Wagner whole xxxix young