Dwight's Journal of Music, Volumes 39-40John Sullivan Dwight Oliver Ditson & Company, 1967 |
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Pagina 170
... expressing in the most admirable and genial way ; hence we find this manner of expression so fre- quently recurring with him , as it predomi- nated in his surprisingly early and wonderful Midsummer Night's Dream Overture . In poetry and ...
... expressing in the most admirable and genial way ; hence we find this manner of expression so fre- quently recurring with him , as it predomi- nated in his surprisingly early and wonderful Midsummer Night's Dream Overture . In poetry and ...
Pagina 203
... expression was music to him . elaborate works . That he is one of the most re- That Schumann was well aware of the one - sided markable instrumental composers of the day can critical and æsthetical stand - point of the " mel- scarcely ...
... expression was music to him . elaborate works . That he is one of the most re- That Schumann was well aware of the one - sided markable instrumental composers of the day can critical and æsthetical stand - point of the " mel- scarcely ...
Pagina 6
... expression save the single one of voices . More than that : not only is the or- chestra an added means of expression , a great element of beauty , but in many such works it is so implicated in the whole structure of the work , so woven ...
... expression save the single one of voices . More than that : not only is the or- chestra an added means of expression , a great element of beauty , but in many such works it is so implicated in the whole structure of the work , so woven ...
Inhoudsopgave
ZERRAIN played the Prometheus overture | 10 |
held the position of organist and choirmaster in the Church | 24 |
A Study Fanny | 25 |
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21 Astor Place Adagio admirable Allegro Andante Aria Arthur Sullivan artist audience Bach Bach's bass beautiful Beethoven Berlioz Boston cantata Carl cello charming CHICAGO MUSIC choir Chopin choral chorus Club composer composition concert E-flat effect expression feeling festival Franz friends Fugue gave genius George Sand give given grand Hall Handel harmony Haydn hear heard Herr Idomeneo instruments interest listen Liszt master Max Bruch melody Mendelssohn ment Messrs minor Miss movement Mozart musicians noble opera oratorio orchestra organ Overture paint Paris Passion Music performance Philharmonic pianist piano piano-forte piece played programme pupils Quartet Quintet Raff recitals rehearsals Rubinstein Saint-Saëns sang Sanzio Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano spirit string style sung sweet Symphony Tannhäuser taste tenor theatre thing tion tone Trio violin vocal voice Wagner whole xxxix young