Dwight's Journal of Music, Volumes 39-40John Sullivan Dwight Oliver Ditson & Company, 1967 |
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Pagina 44
... critics , not of New England , to re- peat one cuckoo cry of criticism when the brave Puritans are mentioned . They indulge in the pathetic fallacy " to shield themselves from an honest admiration which is their due . We hear forever of ...
... critics , not of New England , to re- peat one cuckoo cry of criticism when the brave Puritans are mentioned . They indulge in the pathetic fallacy " to shield themselves from an honest admiration which is their due . We hear forever of ...
Pagina 188
... criticism imagined faults , or quivering corpse of his father . With senses par- busy breaking the tiles on the roof of the com- alyzed by the awful scene , he lingered long around poser's art - temple , to see whether there is any- the ...
... criticism imagined faults , or quivering corpse of his father . With senses par- busy breaking the tiles on the roof of the com- alyzed by the awful scene , he lingered long around poser's art - temple , to see whether there is any- the ...
Pagina 195
... criticism , " would no doubt confess with me that this species of musical phi- study of the system of Pestalozzi — awakened begin his theory by considering tone as the losophy cannot very well serve as a model of their enthusiasm , and ...
... criticism , " would no doubt confess with me that this species of musical phi- study of the system of Pestalozzi — awakened begin his theory by considering tone as the losophy cannot very well serve as a model of their enthusiasm , and ...
Inhoudsopgave
ZERRAIN played the Prometheus overture | 10 |
held the position of organist and choirmaster in the Church | 24 |
A Study Fanny | 25 |
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21 Astor Place Adagio admirable Allegro Andante Aria Arthur Sullivan artist audience Bach Bach's bass beautiful Beethoven Berlioz Boston cantata Carl cello charming CHICAGO MUSIC choir Chopin choral chorus Club composer composition concert E-flat effect expression feeling festival Franz friends Fugue gave genius George Sand give given grand Hall Handel harmony Haydn hear heard Herr Idomeneo instruments interest listen Liszt master Max Bruch melody Mendelssohn ment Messrs minor Miss movement Mozart musicians noble opera oratorio orchestra organ Overture paint Paris Passion Music performance Philharmonic pianist piano piano-forte piece played programme pupils Quartet Quintet Raff recitals rehearsals Rubinstein Saint-Saëns sang Sanzio Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano spirit string style sung sweet Symphony Tannhäuser taste tenor theatre thing tion tone Trio violin vocal voice Wagner whole xxxix young