Romantic Poems, Poets, and NarratorsKent State University Press, 2000 - 203 pagina's Romantic Poems, Poets, and Narrators will be valuable to specialists not only in romantic period studies but in literary theory and poetics as well. Students of Blake, Coleridge, Wordsworth, and Keats will appreciate these refreshingly subtle, tactful, and convincing new readings of the major romantic poems. The book is a scholarly and engaging guide to the various and complex discourses--formalist, psychoanalytic, deconstructive, new historicist--that have provided the terms in which these poems have been and currently are received. |
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Pagina 4
... problem , it is most often avoid- ed through a carefully formalist separation of the poet from his speakers , whose confusions or inadequacies become ironized , thus showing how far those speak- ers are from Blake's ( and by implication ...
... problem , it is most often avoid- ed through a carefully formalist separation of the poet from his speakers , whose confusions or inadequacies become ironized , thus showing how far those speak- ers are from Blake's ( and by implication ...
Pagina 6
... problem a central concern of the poem . Where in The Prelude the problem is perhaps the central thematic ( rather than generic ) focus of the poem , which originates in the narrator's artic- ulated need for self - understanding , in the ...
... problem a central concern of the poem . Where in The Prelude the problem is perhaps the central thematic ( rather than generic ) focus of the poem , which originates in the narrator's artic- ulated need for self - understanding , in the ...
Pagina 8
... problem at least since Hume , on whose observation in A Treatise of Human Nature that " when I enter most intimately into what I call myself , I always stumble on some particular perception or other , " Paul Ricoeur comments , " Here ...
... problem at least since Hume , on whose observation in A Treatise of Human Nature that " when I enter most intimately into what I call myself , I always stumble on some particular perception or other , " Paul Ricoeur comments , " Here ...
Pagina 9
... problem of double - facing . That is , when the self was per- ceived as facing the transcendent , the author and speaker were conflated as successfully bardic ; when the self was perceived as facing the material , the con- sequent ...
... problem of double - facing . That is , when the self was per- ceived as facing the transcendent , the author and speaker were conflated as successfully bardic ; when the self was perceived as facing the material , the con- sequent ...
Pagina 12
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De content van deze pagina is beperkt.
Inhoudsopgave
Introduction to the Songs of Experience The Infection of Time | 12 |
The Rime of the Ancient Mariner Distinguishing the Certain from the Uncertain | 34 |
The Prelude Still Something to Pursue | 65 |
The Intimations Ode An Infinite Complexity | 88 |
Lamia Attitude Is Every Thing | 110 |
Conclusion | 137 |
Notes | 153 |
185 | |
199 | |
Veelvoorkomende woorden en zinsdelen
aesthetic ambiguity Ancient Mariner Apollonius argues argument awareness Bailey Bard Bard's believe Blake Bloom characterizes claim coherence Coleridge Coleridge's complex consciousness context critical cultural Dacier deconstructive desire discourse dream eighteenth-century emphasis added ence episode example fantasy formalist genre gloss glossator historicism historicist human imagination implies intention interpretation Intimations Ode John Keats Keats Keats's Lacan Lamia language latent content least limits literary Lycius lyric Lyrical Ballads Mariner's experience mastery McGann meaning metaphoric mind moral narrative narrator narrator's nature Neoplatonic Oxford philosophical Platonic Platonic shades poem poem's poet's poetic poetry Prelude primary process problem prophetic psychic psychoanalytic Reader-Response Criticism readers reflect relation rhetoric Rime Romantic poets Romanticism seems self-consciousness sense Simplon Pass Songs of Experience speaker stanzas sublime suggests textual theory Tintern Abbey tion transcendent truth understanding vision Warren William Blake William Wordsworth words Wordsworth York