The Sovereign Flower: On Shakespeare as the Poet of Royalism Together with Related Essays and Indexes to Earlier VolumesRoutledge, 28 okt 2013 - 328 pagina's First published in 2002. This is the final Volume IV of the five G. Wilson Knight collected works series and focuses on Shakespeare as the Poet of Royalism together with related essays and indexes to earlier volumes. The emphasis in this volume is the shift from Shakespeare as the poet of England to Shakespeare as the poet of royalism, in a wide sense. |
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Pagina
... play, designed in close relation to the queen-centred society of Tudor England, owes much of the ease and the power ... plays we have.
... play, designed in close relation to the queen-centred society of Tudor England, owes much of the ease and the power ... plays we have.
Pagina 10
... play is free from prejudice . Other unpublished works may eventually be lodged at Birmingham , including one entitled Symbol of Man , either in manuscript or typescript and supported by photographs , a study concerned , from the actor's ...
... play is free from prejudice . Other unpublished works may eventually be lodged at Birmingham , including one entitled Symbol of Man , either in manuscript or typescript and supported by photographs , a study concerned , from the actor's ...
Pagina 13
... play , de- signed in close relation to the queen - centred society of Tudor England , owes much of the ease and the power of its accom- plishment to the convergence of personal and communal issues 1 For a development of this thought ...
... play , de- signed in close relation to the queen - centred society of Tudor England , owes much of the ease and the power of its accom- plishment to the convergence of personal and communal issues 1 For a development of this thought ...
Pagina 14
... plays we have studies of inter- nal disorder during the centuries leading to the England of Elizabeth I. We start with the ... play Romanoff and Juliet . * For the dating of these plays , see my note on p . 280 below . What stronger ...
... plays we have studies of inter- nal disorder during the centuries leading to the England of Elizabeth I. We start with the ... play Romanoff and Juliet . * For the dating of these plays , see my note on p . 280 below . What stronger ...
Pagina 21
... plays are dedicated plays - expressions of the poet's mind at grips with the problem of human discord and willing the ... play's close he sees ghosts . Under Rich- mond , whose role of saviour was foretold in Henry VI , a righteous force ...
... plays are dedicated plays - expressions of the poet's mind at grips with the problem of human discord and willing the ... play's close he sees ghosts . Under Rich- mond , whose role of saviour was foretold in Henry VI , a righteous force ...
Inhoudsopgave
7 | |
Well | 93 |
Whats in a Name? | 161 |
A Literature and the Nation | 263 |
cA Royal Propaganda | 273 |
The Second Part of King Henry VI and Macbeth | 280 |
E The Principles of Shakespeare Interpretation 1928 | 287 |
A Shakespearian Works | 297 |
General | 318 |
Veelvoorkomende woorden en zinsdelen
action already Antony and Cleopatra appears balance becomes Bertram blood Caesar called Christian close comes Compare contrast criticism Crown death dramatic effect Elizabethan England English especially evil exists express eyes father feel felt final follow force given gives greater Hamlet hand hath heart Heaven Helena Henry hold honour human imperial important interpretation Italy King Lear later less lines live lord Macbeth matters meaning Measure mind nature never once Parolles peace perhaps phrase play poetic poetry positive present Prince recalls recognize reference regard Richard Roman royal royalty scene seems seen sense sexual Shakespeare's Shakespearian significance speak speech spiritual suggestion symbolic Tempest theme thing thou thought throughout Timon tragedy tragic true turn universal values virginity virtue whole young