Imitations of Life: A Reader on Film & Television Melodrama

Voorkant
Marcia Landy
Wayne State University Press, 1991 - 619 pagina's

This collection of important essays examines melodrama from a variety of perspectives--chronological, theoretical, international, and feminist.

Marcia Landy has gathered thirty-seven important essays on film and melodrama that have appeared in books and journals over the last two decades. In her introduction to the book, Landy explores the recent interest in the genre in relation to theoretical work in psychoanalysis and semiotics, setting the stage for the essays that follow.

The book's seven sections examine the history of melodrama, its emphasis on emotional excess, its manicheanism, and its dependence on non-verbal strategies to communicate. Essays focus on the family melodramas of the 1950s, the role of Hollywood directors and stars in the development of the genre, and melodrama in the silent films and on television. The book concludes with an exploration of the use of melodrama in European and Latin American cinema, both silent and sound.

Imitations of Life thus provides a variety of perspectives-chronological, theoretical, and international-on the genre while investigating its cultural, social, and political significance.

Vanuit het boek

Inhoudsopgave

Preface
11
THE MELODRAMATIC CONTEXT
31
The Melodramatic Imagination Peter Brooks
50
Observations on the Family Melodrama
68
II
93
Russian Formalist Theories of Melodrama Daniel Gerould
118
Ways of Melodrama Raymond Durgnat
135
The Family Melodrama
148
Skin Color and Caste in Black Silent Melodrama
331
D W Griffith A Nicholas Vardac
353
A Style for the Times
362
Frank Borzage
371
Marylee Hadley in Written on the Wind
380
The Operatics of History Naomi Greene
388
The Collective Voice as Cultural Voice Christine Saxton
398
Four Films of Lana Turner Richard Dyer
409

The Maternal Melodrama in American
168
The Family Plot
183
Notes on Melodrama and the Family under Capitalism
197
Warners Marked Woman
205
The Double Bind of the PostWar Woman
227
Madness Authority and Ideology in the Domestic Melodrama
237
Melodrama and the Womens Picture Pam Cook
248
IV
263
Report on the Weekend School Griselda Pollock
275
Pathos and the Maternal
283
Stella Dallas and the Maternal
307
Joan Crawford
429
VI
441
Notes on Soap Opera Charlotte Brunsdon
466
Dallas and the Melodramatic Imagination Ien Ang
473
A ReaderOriented Poetics of the Soap Opera Robert C Allen
496
Men Sex and Money in Recent Family Melodramas
525
French Film Melodrama Before and After the Great
542
The Family Melodrama in the Italian Cinema 19291943
569
Katherine S Woodward
586
Films Telenovelas and
596
Copyright

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Over de auteur (1991)

Marcia Landay is a professor of English and film studies at the University of Pittsburgh. A Ph.D. from the University of Rochester, she is the author of Facism and Film: Italian Commercial Cinema, 1930-1943 as well as articles in such journals as Film Criticism, Jump Cut, and Cinema Journal.

Bibliografische gegevens