Literary Criticism: An Introduction to Theory and PracticePrentice Hall, 1994 - 204 pagina's This introduction to literary theory and criticism, its historical development and the variety of theoretical positions or schools of criticism, is designed to help students take conscious, informed and intelligent choices concerning their own methods of literary interpretation. Plato to Henry James. It discusses each of the eight basic schools of theoretical positions concerning literary theory and criticism separately: new criticism; reader-response criticism; structuralism; deconstruction; psychoanalytic criticism; feminism; Marxism; and new historicism. Three works of literature are included: Nathanial Hawthorne's story, Young Goodman Brown; Robert Browning's poem, My Last Duchess; and Susan Glaspell's play, Trifles. |
Vanuit het boek
Resultaten 1-3 van 28
Pagina 14
... poet to relate what has happened , but what may happen — what is possible according to the law of probability or neces- sity . " It is the historian , not the poet , who writes of what has already hap- pened . The poet's task , declares ...
... poet to relate what has happened , but what may happen — what is possible according to the law of probability or neces- sity . " It is the historian , not the poet , who writes of what has already hap- pened . The poet's task , declares ...
Pagina 20
... poet , while simultaneously codi- fying neoclassic literary theory and criticism . Toward the end of the essay he does , however , speak to both critics and poets . According to Pope , the golden age of criticism is the classical age ...
... poet , while simultaneously codi- fying neoclassic literary theory and criticism . Toward the end of the essay he does , however , speak to both critics and poets . According to Pope , the golden age of criticism is the classical age ...
Pagina 33
... poet . The poet , declares Eliot , does not infuse the poem with his or her personality and emotions , but uses lan- guage in such a way as to incorporate within the poem the impersonal feelings and emotions common to all humankind ...
... poet . The poet , declares Eliot , does not infuse the poem with his or her personality and emotions , but uses lan- guage in such a way as to incorporate within the poem the impersonal feelings and emotions common to all humankind ...
Inhoudsopgave
Criticism Theory and Literature | 1 |
A Historical Survey of Literary Criticism | 11 |
New Criticism | 31 |
Copyright | |
12 andere gedeelten niet getoond
Overige edities - Alles bekijken
Literary Criticism: An Introduction to Theory and Practice Charles E. Bressler Fragmentweergave - 1999 |
Veelvoorkomende woorden en zinsdelen
aesthetic analyzed approach to literary Aristotle articulated asserts assumptions becomes believe binary operations binary oppositions bourgeoisie characters concept concerning consciousness COUNTY ATTORNEY culture declares deconstruction define Derrida différance discourses discover dream Duke elements emotions English essay example exist experiences Faith feelings female feminist feminist criticism Ferdinand de Saussure Freud HALE Hawthorne Hawthorne's historical Historicism Historicists Huck human I. A. Richards ideas ideology individual interact interpretation language langue Last Duchess linguistic literary analysis literary criticism literary theory literature look male Marx Marxist methodology Minnie narratologists object Peters philosophy Plato poem poem's poet poetic poetry practical criticism psychoanalytic criticism Puritan reader reader-response critics relationship Saussure says schools of criticism social society speech story structuralist structure Student superstructure symbols term text's meaning textual analysis theoretical things thought tion transcendental signified truth unconscious understanding values voice women word worldview Wright writing Young Goodman Brown