Shakespeare

action already appears beauty become called century chapter character characteristic chief chronicle close comedy comic common concerned conventional course criticism death developed doubt drama dramatist earlier early effect elements Elizabethan England English evidence evil experience fact familiar feeling formal Fortune give Hamlet hand Henry human imagination important interest interpretation Italian Italy kind king largely later less lines live London lyric manner matter means method mind mood moral nature never once opening original passion perhaps period persons play plot poems poet poetry popular possible present question reader reason Renaissance represent Richard romance scene seems seen sense serious Shake Shakespeare side sonnets soul spirit stage story supposed theme things Third thought tion tragedy tragic true whole wholly write