A Way of Seeing: Perception, Imagination, and PoetrySteinerBooks, 2003 - 167 pagina's We usually think of imagination as a fanciful, whimsical faculty that has little to do with reality and truth. This beautifully written book by the Australian poet John Allison shows how ordinary imagination can be intensified to become an organ of cognition--a path of development to real knowing. Allison shows how poetry--poetic knowing and seeing--can reveal aspects of the world invisible to science. Three lucid chapters describe the path to true imagination, where attention is the key. First we must practice it, then we must become aware of the processes involved in it. Learning to experience "poise," we must come to terms with the shadow--or all that says "No" in us. The combination of attention, equanimity, and assent opens the world in a new way. Allison then examines how poets have actually developed and practiced the kind of "deep seeing" that "image work" involves. For this he draws on William Shakespeare, William Blake, Samuel Taylor Coleridge, John Keats, Johann Wolfgang von Goethe, Novalis, John Ruskin, Gerard Manley Hopkins, Rainer Maria Rilke, and Octavio Paz. The author concludes with a sequence of his own poems that exemplify the philosophy and practice he has developed. Contents:
|
Vanuit het boek
Resultaten 1-5 van 17
Pagina 6
... tree or a hill , as when the dream- er travelling to some far place finds himself not farther from the soul but nearer to it , and wakes with the sweet sensation of friendship from other worlds . A " deep well of the mind " .... Where ...
... tree or a hill , as when the dream- er travelling to some far place finds himself not farther from the soul but nearer to it , and wakes with the sweet sensation of friendship from other worlds . A " deep well of the mind " .... Where ...
Pagina 20
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Pagina 24
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Pagina 63
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Pagina 80
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Inhoudsopgave
| 11 | |
Developing Imagination | 18 |
Owning the Shadow | 27 |
Getting It | 37 |
Freeing Imagination from Fancy | 47 |
Negative Capability | 58 |
Deep Seeing | 68 |
Instress and Inscape | 79 |
Another Way of Seeing Things | 107 |
Living in the World | 119 |
Connections | 127 |
Three Portals of the Imagination | 133 |
Crossings | 140 |
This | 150 |
Seeing Things II | 161 |
Heartwork | 90 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
activity aphorism articulate attentiveness awaken become called Cathedral Caves Coleridge contemplation dark deep diffuse awareness Elisabeth Kübler-Ross ence essay etheric body everything exercise experience experienced external world faculty falls feeling felt forces gaze Gerard Manley Hopkins Godwit Goethe Hopkins human Imagination impressions inner world inscape instance instress Jacques Lusseyran John Keats journal Kaikoura Katherine Mansfield Keats kelp kind Know Higher Worlds Kübler-Ross Lake Wilkie light living look mean metaphor mind mood movement Mysteries nature ness night Novalis object ocean Otanerito ourselves overlap particular physical body picture poem poem-sequence poet poetic image poetry poise Portal present reaching after fact reflected rience Rilke rock Rudolf Steiner Ruskin sciousness seems sensation sense shadow shag sober observation soul South Island space spiritual sprezzatura stage stops there goes taniwha temporal lobes things thinking thought threshold tion walk waves whole wind word writing
Populaire passages
Pagina 51 - The primary Imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM...
Pagina 51 - The fancy is indeed no other than a mode of memory emancipated from the order of time and space, while it is blended with, and modified by, that empirical phenomenon of the will which we express by the word choice. But equally with the ordinary memory the fancy must receive all its materials ready made from the law of association.
Pagina 60 - Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously— I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Pagina 54 - I am thinking, as at yonder moon dim-glimmering through the dewy window-pane, I seem rather to be seeking, as it were asking for, a symbolical language for something within me that already and forever exists, than observing anything new.
Pagina 111 - I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation.
Pagina 47 - Repeated meditations led me first to suspect, (and a more intimate analysis of the human faculties, their appropriate marks, functions, and effects matured my conjecture into full conviction,) that fancy and imagination were two distinct and widely different faculties, instead of being, according to the general belief, either two names with one meaning, or, at furthest, the lower and higher degree of one and the same power.
Pagina 55 - ... we think of ourselves as separated beings, and place nature in antithesis to the mind, as object to subject, thing to thought, death to life.
Pagina 59 - When I am in a room with people, if I ever am free from speculating on creations of my own brain, then, not myself goes home to myself, but the identity of every one in the room begins to press upon me, [so] that I am in a very little time annihilated — not only among men ; it would be the same in a nursery of children.