Reading the Classics and Paradise LostUniversity of Nebraska Press, 1993 - 222 pagina's Milton’s early commentators—Henry Todd, Thomas Newton, Joseph Addison, and others—not only knew their classics well, they took them seriously as models of literary excellence and repositories of values. In the twentieth century, however, the classics have become mere “background.” As a consequence, William M. Porter argues, not only is the foundational dimension of Milton’s poetry now hardly visible, even to scholars, but the potential of Milton’s poetry to revitalize the reading of the classics has been diminished. In this insightful study, Porter attempts once again to read both the classics and Milton’s epic poem sensitively and intelligently. He exposes the recklessly speculative and tendentious character of much earlier work on Milton’s allusions, in which allusions were promiscuously posited and in which Paradise Lost was too often regarded naively as triumphing over the classics. Porter demonstrates that Milton’s allusions, in which allusions to the classics, while fewer than has been supposed, are rich with wit, irony, and thought that can be grasped only by a reader with a double perspective. |
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Pagina 13
... seems to recognize the possibility of distinc- tions , for example , between what is and is not an allusion , and between various degrees or kinds of allusive significance . Intertextuality has been the subject of some attention from ...
... seems to recognize the possibility of distinc- tions , for example , between what is and is not an allusion , and between various degrees or kinds of allusive significance . Intertextuality has been the subject of some attention from ...
Pagina 95
... seems almost to confirm the arbitrariness of the Vergilian echo . It seems worth noting that Milton's favorite English epics , Spenser's Faerie Queene and Abraham Cowley's Davideis , though both left unfinished , were both planned in ...
... seems almost to confirm the arbitrariness of the Vergilian echo . It seems worth noting that Milton's favorite English epics , Spenser's Faerie Queene and Abraham Cowley's Davideis , though both left unfinished , were both planned in ...
Pagina 177
... seems to have been the result of a change in Milton's perception of what he had already made , rather than of a decision to make something new . " 13 It seems preposterous to suppose that Milton would have abandoned a splendid dramatic ...
... seems to have been the result of a change in Milton's perception of what he had already made , rather than of a decision to make something new . " 13 It seems preposterous to suppose that Milton would have abandoned a splendid dramatic ...
Inhoudsopgave
Allusion | 13 |
Lesser Forms of Literary | 21 |
The Critical Allusion | 32 |
Copyright | |
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Achilles Adam Aeneas Aeneid allu alluding Anchises ancient angels animis caelestibus Augustus Biblical Blessington borrowing Caesar Catullus chapter cites Classical Epic Club of Hercules commentary context critical allusion dactylic hexameter Descende caelo descent Dido divine Dobson earlier echo edition English Ennius enthymeme Epic Tradition example fact Georgics Greek heaven Hell hermeneutic Hesiod hexameter Homer Horace Horace's Hume Iliad imitation important interpretation intertextual invocation John Milton language Latin lines literary literature Lost's meaning Milton's allusions Milton's classicism Milton's poetry modern Muses narrative Neo-Latin notes Odes Odyssey original Orpheus Ovid pagan Paradise Lost parallel Partu Virginis passage poem poet poet's poetic Press proem prologue prose quoted reader reference Renaissance reworking rhetorical Roman Sannazaro Satan says seems significant simile sion Spenser structure style suggests target Tartarus Theogony tion Tiresias titanomachy translation Turnus twelve books verbal Vergil Vergilian verse words Zeus καὶ τε