Reading the Classics and Paradise LostUniversity of Nebraska Press, 1993 - 222 pagina's Milton’s early commentators—Henry Todd, Thomas Newton, Joseph Addison, and others—not only knew their classics well, they took them seriously as models of literary excellence and repositories of values. In the twentieth century, however, the classics have become mere “background.” As a consequence, William M. Porter argues, not only is the foundational dimension of Milton’s poetry now hardly visible, even to scholars, but the potential of Milton’s poetry to revitalize the reading of the classics has been diminished. In this insightful study, Porter attempts once again to read both the classics and Milton’s epic poem sensitively and intelligently. He exposes the recklessly speculative and tendentious character of much earlier work on Milton’s allusions, in which allusions were promiscuously posited and in which Paradise Lost was too often regarded naively as triumphing over the classics. Porter demonstrates that Milton’s allusions, in which allusions to the classics, while fewer than has been supposed, are rich with wit, irony, and thought that can be grasped only by a reader with a double perspective. |
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Pagina 75
... Cromwellian Protectorate . The events of 1660 , however , did make possible , perhaps even compelled , a reading of Horace's ode that had never been available be- fore . Milton was not the only poet to take Descende caelo : Thought 75.
... Cromwellian Protectorate . The events of 1660 , however , did make possible , perhaps even compelled , a reading of Horace's ode that had never been available be- fore . Milton was not the only poet to take Descende caelo : Thought 75.
Pagina 79
... never speaks with- out irony . Milton risked everything for a political cause and lost ; in the end he was not a poet laureate , but a prophet crying out to an apostate people . The Ready and Easy Way to Establish a Free Commonwealth ...
... never speaks with- out irony . Milton risked everything for a political cause and lost ; in the end he was not a poet laureate , but a prophet crying out to an apostate people . The Ready and Easy Way to Establish a Free Commonwealth ...
Pagina 80
... never sallies out and sees her adversary " ( Areopagitica ) . But the word dialogue is inadequate , because the allusions to Hesiod and Horace that I have been explicating are not local effects , each standing on its own . Milton does ...
... never sallies out and sees her adversary " ( Areopagitica ) . But the word dialogue is inadequate , because the allusions to Hesiod and Horace that I have been explicating are not local effects , each standing on its own . Milton does ...
Inhoudsopgave
Allusion | 13 |
Lesser Forms of Literary | 21 |
The Critical Allusion | 32 |
Copyright | |
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Adam Aeneas Aeneid alluding allusion ancient angels appears aspect association beginning borrowing called century chapter claim classical close commentary concern considered context course critical described Dido Dobson earlier early earth echo edition effect English epic especially example fact fall final Greek hand Harding heaven Hell Hesiod Homer Horace's Iliad imitation important interest interpretation John kind language later Latin least less lines literary literature look major matter meaning Milton Milton's allusions mind Muses Neo-Latin notes Odes Odyssey opening original Paradise Lost parallel passage perhaps poem poet poetic poetry present Press problem proem question quoted reader recognize reference regard rhetorical Roman Sannazaro Satan says seems sense significant similar simile simply speak structure style suggests Theogony thing thought tion Tiresias tradition translation turn Turnus University verbal Vergil Vergilian verse writing