Reading the Classics and Paradise LostUniversity of Nebraska Press, 1993 - 222 pagina's Milton’s early commentators—Henry Todd, Thomas Newton, Joseph Addison, and others—not only knew their classics well, they took them seriously as models of literary excellence and repositories of values. In the twentieth century, however, the classics have become mere “background.” As a consequence, William M. Porter argues, not only is the foundational dimension of Milton’s poetry now hardly visible, even to scholars, but the potential of Milton’s poetry to revitalize the reading of the classics has been diminished. In this insightful study, Porter attempts once again to read both the classics and Milton’s epic poem sensitively and intelligently. He exposes the recklessly speculative and tendentious character of much earlier work on Milton’s allusions, in which allusions were promiscuously posited and in which Paradise Lost was too often regarded naively as triumphing over the classics. Porter demonstrates that Milton’s allusions, in which allusions to the classics, while fewer than has been supposed, are rich with wit, irony, and thought that can be grasped only by a reader with a double perspective. |
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Pagina 4
... Satan with Turnus is as likely to discredit Satan as Turnus . But Blessington , too , is tendentious , even as he strives to be balanced : In the classical epic , man is so much the measure of all things that when Odysseus was offered ...
... Satan with Turnus is as likely to discredit Satan as Turnus . But Blessington , too , is tendentious , even as he strives to be balanced : In the classical epic , man is so much the measure of all things that when Odysseus was offered ...
Pagina 64
... Satan . Satan , for his part , boasts of invinci- bility through “ strength and counsel joined " ( 6.494 ) . Messiah , on the other hand , routs his adversaries single - handedly , and ironically he chooses to do so not by means of his ...
... Satan . Satan , for his part , boasts of invinci- bility through “ strength and counsel joined " ( 6.494 ) . Messiah , on the other hand , routs his adversaries single - handedly , and ironically he chooses to do so not by means of his ...
Pagina 108
... Satan's effortless trespass . It may also be that Milton is alluding to , or at least draw- ing upon , the later succession of similes in Aeneid 9 liken- ing Turnus to a tiger and a lion , in the metamorphoses that Satan undergoes as he ...
... Satan's effortless trespass . It may also be that Milton is alluding to , or at least draw- ing upon , the later succession of similes in Aeneid 9 liken- ing Turnus to a tiger and a lion , in the metamorphoses that Satan undergoes as he ...
Inhoudsopgave
Allusion | 13 |
Lesser Forms of Literary | 21 |
The Critical Allusion | 32 |
Copyright | |
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Adam Aeneas Aeneid alluding allusion ancient angels appears aspect association beginning borrowing called century chapter claim classical close commentary concern considered context course critical described Dido Dobson earlier early earth echo edition effect English epic especially example fact fall final Greek hand Harding heaven Hell Hesiod Homer Horace's Iliad imitation important interest interpretation John kind language later Latin least less lines literary literature look major matter meaning Milton Milton's allusions mind Muses Neo-Latin notes Odes Odyssey opening original Paradise Lost parallel passage perhaps poem poet poetic poetry present Press problem proem question quoted reader recognize reference regard rhetorical Roman Sannazaro Satan says seems sense significant similar simile simply speak structure style suggests Theogony thing thought tion Tiresias tradition translation turn Turnus University verbal Vergil Vergilian verse writing