An Essay on the Writings and Genius of Shakespeare: Compared with the Greek and French Dramatic Poets; with Some Remarks Upon the Misrepresentations of Mons. de VoltaireHarding, 1810 - 296 pagina's |
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Pagina iii
... Macbeth . Upon the Cinna of Corneille . Page v . P. 3 . P. 33 . P. 69 . - P. 93 . P. 115 . P. 155 . - P. 187 . Upon the Death of Julius Cæsar . P. 223 . - THREE DIALOGUES OF THE DEAD . Dialogue I. Dialogue II . Dialogue III . a 2 - P ...
... Macbeth . Upon the Cinna of Corneille . Page v . P. 3 . P. 33 . P. 69 . - P. 93 . P. 115 . P. 155 . - P. 187 . Upon the Death of Julius Cæsar . P. 223 . - THREE DIALOGUES OF THE DEAD . Dialogue I. Dialogue II . Dialogue III . a 2 - P ...
Pagina 15
... Macbeth , when , speaking of the grooms who lay near Duncan , he says , MACBETH . One cry'd , God bless us ! and Amen ! the other ; As they had seen me with these hangman's hands , Listening their fear . 1 could not say , Amen , When ...
... Macbeth , when , speaking of the grooms who lay near Duncan , he says , MACBETH . One cry'd , God bless us ! and Amen ! the other ; As they had seen me with these hangman's hands , Listening their fear . 1 could not say , Amen , When ...
Pagina 135
... Macbeth , as the Eumenides in the drama of Æschylus ; but our Poet is infinitely more dexterous and judicious in the conduct of their part . The secret , foul , and midnight hags are not in- troduced into the castle of Macbeth ; they ...
... Macbeth , as the Eumenides in the drama of Æschylus ; but our Poet is infinitely more dexterous and judicious in the conduct of their part . The secret , foul , and midnight hags are not in- troduced into the castle of Macbeth ; they ...
Pagina 155
... ter- rors , are raised by the intervention of be- ings , whose nature we do not understand , whose actions we cannot control , and whose influence influence we know not how to escape . Here we The Tragedy of Macbeth P.
... ter- rors , are raised by the intervention of be- ings , whose nature we do not understand , whose actions we cannot control , and whose influence influence we know not how to escape . Here we The Tragedy of Macbeth P.
Pagina 156
... bited on their stage , had not obtained more credit , with the thinking and the philoso- phical part of the spectators , than tales of witchcraft witchcraft among the wise and learned here . Much later 156 THE TRAGEDY OF MACBETH .
... bited on their stage , had not obtained more credit , with the thinking and the philoso- phical part of the spectators , than tales of witchcraft witchcraft among the wise and learned here . Much later 156 THE TRAGEDY OF MACBETH .
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absurd action admired affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy tragedy of Macbeth translation virtue Voltaire vulgar witches words writers