John Dryden and the Poetry of StatementUniversity of Queensland Press, 1967 - 193 pagina's |
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Pagina 46
... seen as leading to some sort of concept of " pure " poetry , of poetry as " pattern " or " music " , were it not applied to verse in which the discursive elements are so obviously strong . These discursive elements , which provide the ...
... seen as leading to some sort of concept of " pure " poetry , of poetry as " pattern " or " music " , were it not applied to verse in which the discursive elements are so obviously strong . These discursive elements , which provide the ...
Pagina 113
... seen by Dryden as surrounding Titus Oates , the original of Corah : Erect thy self thou Monumental Brass.42 As with Achitophel's physical deformity , the actual physical detail provided by the image tends to be overlooked . In ...
... seen by Dryden as surrounding Titus Oates , the original of Corah : Erect thy self thou Monumental Brass.42 As with Achitophel's physical deformity , the actual physical detail provided by the image tends to be overlooked . In ...
Pagina 163
... seen as the " statement " . The poet must have something rational to say - and be intent on saying it - before he can safely venture into the realms of imagina- tion . Certainly we have seen what frequently happens when Dryden has ...
... seen as the " statement " . The poet must have something rational to say - and be intent on saying it - before he can safely venture into the realms of imagina- tion . Certainly we have seen what frequently happens when Dryden has ...
Inhoudsopgave
Introduction | 1 |
Chapter one Imitation | 21 |
Chapter two Meaning | 38 |
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Absalom and Achitophel achieved alliteration allow amplification appear argument attempt attention becomes century character Clarendon Press closely concept couplet Critical demands depends described direct discursive effect elaboration element elevation emotional emphasis English Essay essential example expression fact figurative formal give heroic idea imagery imaginative imitation important instance interest John Dryden kind lack language least less lines logical London manner matter meaning Memory ment metrical movement nature never original ornament Oxford particularly passage pattern plain plays poem poet poetic poetry of statement Pope portrait Preface Press prose reader reason reference Religio Laici result rhetorical rhythm rhythmic richness satire says seen sense serve seventeenth century significance simply Soul sound speaking stanza stress structure suggestiveness syntax tends theory things thought tone tradition true University verse vitality vols whole words writing