John Dryden and the Poetry of StatementUniversity of Queensland Press, 1967 - 193 pagina's |
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Pagina 45
... say directly , and the poetic elements in it still co - operate with , still imitate this meaning . But if , as Van Doren says , Dryden has said " almost nothing " about Zimri , this is because there is almost nothing to say about him ...
... say directly , and the poetic elements in it still co - operate with , still imitate this meaning . But if , as Van Doren says , Dryden has said " almost nothing " about Zimri , this is because there is almost nothing to say about him ...
Pagina 145
... says , " that I have not been able to translate any part of him so well , as to make him appear wholly like himself . For where the original is close , no version can reach it in the same compass . " " 43 And though he com- plains of ...
... says , " that I have not been able to translate any part of him so well , as to make him appear wholly like himself . For where the original is close , no version can reach it in the same compass . " " 43 And though he com- plains of ...
Pagina 161
... says , firstly to entertain , but he also regards poetry as having a clear public and moral function . Of his lifelong desire to write an epic poem , he says : " This , too , I had intended chiefly for the honour of my native country ...
... says , firstly to entertain , but he also regards poetry as having a clear public and moral function . Of his lifelong desire to write an epic poem , he says : " This , too , I had intended chiefly for the honour of my native country ...
Inhoudsopgave
Introduction | 1 |
Chapter one Imitation | 21 |
Chapter two Meaning | 38 |
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Absalom and Achitophel achieved alliteration allow amplification appear argument attempt attention becomes century character Clarendon Press closely concept couplet Critical demands depends described direct discursive effect elaboration element elevation emotional emphasis English Essay essential example expression fact figurative formal give heroic idea imagery imaginative imitation important instance interest John Dryden kind lack language least less lines logical London manner matter meaning Memory ment metrical movement nature never original ornament Oxford particularly passage pattern plain plays poem poet poetic poetry of statement Pope portrait Preface Press prose reader reason reference Religio Laici result rhetorical rhythm rhythmic richness satire says seen sense serve seventeenth century significance simply Soul sound speaking stanza stress structure suggestiveness syntax tends theory things thought tone tradition true University verse vitality vols whole words writing