John Dryden and the Poetry of StatementUniversity of Queensland Press, 1967 - 193 pagina's |
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Pagina 78
... lines does not amount to very much , and it is not helped any by the unimpressive incipient image of the second line ; while the directness of the last line is , if anything , to be deplored . Yet the isolated words are invigorated in ...
... lines does not amount to very much , and it is not helped any by the unimpressive incipient image of the second line ; while the directness of the last line is , if anything , to be deplored . Yet the isolated words are invigorated in ...
Pagina 80
... line is difficult to articulate , the stresses accumulating within it ; and in both lines Dryden uses a favourite device of a prepo- sition placed in the normal position of the fourth stress , giving the end of the line a quality of ...
... line is difficult to articulate , the stresses accumulating within it ; and in both lines Dryden uses a favourite device of a prepo- sition placed in the normal position of the fourth stress , giving the end of the line a quality of ...
Pagina 133
... line presents a new facet of the same idea in the typical manner of the balanced co - ordinate sentence . The lines serve as a static climax to a long verse paragraph , and amplification gives the expression the required emphasis ; but ...
... line presents a new facet of the same idea in the typical manner of the balanced co - ordinate sentence . The lines serve as a static climax to a long verse paragraph , and amplification gives the expression the required emphasis ; but ...
Inhoudsopgave
Introduction | 1 |
Chapter one Imitation | 21 |
Chapter two Meaning | 38 |
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Absalom and Achitophel achieved alliteration allow amplification appear argument attempt attention becomes century character Clarendon Press closely concept couplet Critical demands depends described direct discursive effect elaboration element elevation emotional emphasis English Essay essential example expression fact figurative formal give heroic idea imagery imaginative imitation important instance interest John Dryden kind lack language least less lines logical London manner matter meaning Memory ment metrical movement nature never original ornament Oxford particularly passage pattern plain plays poem poet poetic poetry of statement Pope portrait Preface Press prose reader reason reference Religio Laici result rhetorical rhythm rhythmic richness satire says seen sense serve seventeenth century significance simply Soul sound speaking stanza stress structure suggestiveness syntax tends theory things thought tone tradition true University verse vitality vols whole words writing