John Dryden and the Poetry of StatementUniversity of Queensland Press, 1967 - 193 pagina's |
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Pagina 31
... couplet , “ at least as used by Dryden and Pope , is capable of rendering only one sort of movement through the mind ; it is committed by its very nature to a syntax of antithesis and razor sharp distinc- tions " .25 There is some truth ...
... couplet , “ at least as used by Dryden and Pope , is capable of rendering only one sort of movement through the mind ; it is committed by its very nature to a syntax of antithesis and razor sharp distinc- tions " .25 There is some truth ...
Pagina 75
... couplet each word in both lines , with the exceptions of the rhyme words and the com- pensating " and " , is ... couplet a portentous weightiness as the climax of the para- graph that makes us tend not to notice its considerable lack of ...
... couplet each word in both lines , with the exceptions of the rhyme words and the com- pensating " and " , is ... couplet a portentous weightiness as the climax of the para- graph that makes us tend not to notice its considerable lack of ...
Pagina 89
... couplet . The couplet may , super- ficially , seem a stringent form that tends towards monotony of rhythm , just as free verse is often thought of as the form that lends itself to the greatest rhythmical variety . Yet , para- doxically ...
... couplet . The couplet may , super- ficially , seem a stringent form that tends towards monotony of rhythm , just as free verse is often thought of as the form that lends itself to the greatest rhythmical variety . Yet , para- doxically ...
Inhoudsopgave
Introduction | 1 |
Chapter one Imitation | 21 |
Chapter two Meaning | 38 |
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Absalom and Achitophel achieved alliteration allow amplification appear argument attempt attention becomes century character Clarendon Press closely concept couplet Critical demands depends described direct discursive effect elaboration element elevation emotional emphasis English Essay essential example expression fact figurative formal give heroic idea imagery imaginative imitation important instance interest John Dryden kind lack language least less lines logical London manner matter meaning Memory ment metrical movement nature never original ornament Oxford particularly passage pattern plain plays poem poet poetic poetry of statement Pope portrait Preface Press prose reader reason reference Religio Laici result rhetorical rhythm rhythmic richness satire says seen sense serve seventeenth century significance simply Soul sound speaking stanza stress structure suggestiveness syntax tends theory things thought tone tradition true University verse vitality vols whole words writing