John Dryden and the Poetry of StatementUniversity of Queensland Press, 1967 - 193 pagina's |
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Pagina 136
... becomes not only justifiable but necessary . The idea is not statically or superficially elaborated , but is elabo- rately developed . The comparison with the lines from the portrait of Achitophel is profitable , because where these are ...
... becomes not only justifiable but necessary . The idea is not statically or superficially elaborated , but is elabo- rately developed . The comparison with the lines from the portrait of Achitophel is profitable , because where these are ...
Pagina 140
... becomes devitalized . The means of decorating the verse through imagery become mechanical rather than carefully controlled . But Dryden does not always fail in this kind of amplified description . Of his rendering of Boccaccio's tale of ...
... becomes devitalized . The means of decorating the verse through imagery become mechanical rather than carefully controlled . But Dryden does not always fail in this kind of amplified description . Of his rendering of Boccaccio's tale of ...
Pagina 141
... becomes part of an atmosphere of courtly romance and supernatural horror pervading the whole story , and more importantly , it becomes part of the narrative flow of the verse . The directness and objectivity of Boccaccio's stories ...
... becomes part of an atmosphere of courtly romance and supernatural horror pervading the whole story , and more importantly , it becomes part of the narrative flow of the verse . The directness and objectivity of Boccaccio's stories ...
Inhoudsopgave
Introduction | 1 |
Chapter one Imitation | 21 |
Chapter two Meaning | 38 |
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Absalom and Achitophel achieved alliteration allow amplification appear argument attempt attention becomes century character Clarendon Press closely concept couplet Critical demands depends described direct discursive effect elaboration element elevation emotional emphasis English Essay essential example expression fact figurative formal give heroic idea imagery imaginative imitation important instance interest John Dryden kind lack language least less lines logical London manner matter meaning Memory ment metrical movement nature never original ornament Oxford particularly passage pattern plain plays poem poet poetic poetry of statement Pope portrait Preface Press prose reader reason reference Religio Laici result rhetorical rhythm rhythmic richness satire says seen sense serve seventeenth century significance simply Soul sound speaking stanza stress structure suggestiveness syntax tends theory things thought tone tradition true University verse vitality vols whole words writing