Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 63Gale Research Company, 1984 |
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Pagina 105
... reason , for that which affection decerneth is liked for a ceason , but that which reason aviseth is never mislyked . Pam . Certes , thou speakest like a wittie wench ; wherefore I intend to follow thy counsayle ( sig . Ciii ) ...
... reason , for that which affection decerneth is liked for a ceason , but that which reason aviseth is never mislyked . Pam . Certes , thou speakest like a wittie wench ; wherefore I intend to follow thy counsayle ( sig . Ciii ) ...
Pagina 223
... reason to reconsider it . There are good grounds for what they have done , he says ; Antony will hear them , and be satis- fied . With Antony , who shortly arrives in person , he takes this line again : Our reasons are so full of good ...
... reason to reconsider it . There are good grounds for what they have done , he says ; Antony will hear them , and be satis- fied . With Antony , who shortly arrives in person , he takes this line again : Our reasons are so full of good ...
Pagina 224
... reason in his sayings , " and chew upon it seriously . With equal skill , Antony stirs up impulses only to thwart ... reason- ing is simply a surface covering up private grudges , like the " reason " they have heard from Brutus ; whereas ...
... reason in his sayings , " and chew upon it seriously . With equal skill , Antony stirs up impulses only to thwart ... reason- ing is simply a surface covering up private grudges , like the " reason " they have heard from Brutus ; whereas ...
Inhoudsopgave
Character Studies | 21 |
Gender Issues | 41 |
Marriage | 84 |
Copyright | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Fragmentweergave - 1984 |
Veelvoorkomende woorden en zinsdelen
action actors All's Antony Antony's audience becomes bed-trick Bertram blood Brutus Brutus's Cade Cade's Cassius ceremony characters claim comedy comic conspirators Coriolanus Countess critics death desire Diana dramatic Duke Edward Elizabethan England English Epicurean essay father female feminine French gender Gentlemen of Verona Gloucester Helena Henry Henry VI Henry's heroic honor husband irony Jack Cade Joan Joan's Julia Julius Caesar King King's Lafew language Lavatch letter London lord male Mannerist Margaret marriage masculine means moral murder nature noble oath Parolles play play's plebeians plot Plutarch political Portia problem Problem Comedies Proteus Queen reading Renaissance rhetoric Richard Richard III ritual role Roman Rome says scene seems sexual Shake Shakespeare Silvia social soliloquy speak speare speare's speech spirit stage Suffolk suggests Talbot Tamburlaine theater theatrical thee thou Thurio tion tragedy unnatural Valentine virginity virtue Warwick wife woman women words York Yorkist