Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 63Gale Research Company, 1984 |
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Pagina 165
... never was or to what never may be recovered . The retrospective note is not that of The Mirror for Magistrates , in which the dead with hindsight analyze their errors . There is hardly any moral self - recrimination in this scene ...
... never was or to what never may be recovered . The retrospective note is not that of The Mirror for Magistrates , in which the dead with hindsight analyze their errors . There is hardly any moral self - recrimination in this scene ...
Pagina 211
... never dies in 3 Henry VI ( in fact , he never appears in the play ) , thereby calling into question the reading of those critics who posit a God in the drama punishing , as Isaiah foretold , guilty fathers through the deaths of ...
... never dies in 3 Henry VI ( in fact , he never appears in the play ) , thereby calling into question the reading of those critics who posit a God in the drama punishing , as Isaiah foretold , guilty fathers through the deaths of ...
Pagina 212
... never cease to follow him . ( IV.viii.48-50 ) The confused imagery of the last two verses of this speech reflects Henry's misunderstanding of natural law and indirectly his own unnaturalness . Henry by his metaphor seemingly implies ...
... never cease to follow him . ( IV.viii.48-50 ) The confused imagery of the last two verses of this speech reflects Henry's misunderstanding of natural law and indirectly his own unnaturalness . Henry by his metaphor seemingly implies ...
Inhoudsopgave
Character Studies | 21 |
Gender Issues | 41 |
Marriage | 84 |
Copyright | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Fragmentweergave - 1984 |
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action actors All's Antony Antony's audience becomes bed-trick Bertram blood Brutus Brutus's Cade Cade's Cassius ceremony characters claim comedy comic conspirators Coriolanus Countess critics death desire Diana dramatic Duke Edward Elizabethan England English Epicurean essay father female feminine French gender Gentlemen of Verona Gloucester Helena Henry Henry VI Henry's heroic honor husband irony Jack Cade Joan Joan's Julia Julius Caesar King King's Lafew language Lavatch letter London lord male Mannerist Margaret marriage masculine means moral murder nature noble oath Parolles play play's plebeians plot Plutarch political Portia problem Problem Comedies Proteus Queen reading Renaissance rhetoric Richard Richard III ritual role Roman Rome says scene seems sexual Shake Shakespeare Silvia social soliloquy speak speare speare's speech spirit stage Suffolk suggests Talbot Tamburlaine theater theatrical thee thou Thurio tion tragedy unnatural Valentine virginity virtue Warwick wife woman women words York Yorkist