Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 63Gale Research Company, 1984 |
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Pagina 148
... course , his continuous play - acting fragments him , and he loses cohesion as an individual . He begins to break immediately after he becomes King , a microcosmic reflection of the macrocosmic destruction of normal values in the police ...
... course , his continuous play - acting fragments him , and he loses cohesion as an individual . He begins to break immediately after he becomes King , a microcosmic reflection of the macrocosmic destruction of normal values in the police ...
Pagina 189
... course , innumerable " collateral " analo- gies , whose force was symbolic rather than legal : to the animal kingdom , the vegetable kingdom , the " little kingdom " man , the kingdom of the heavens . For the explaining of actual events ...
... course , innumerable " collateral " analo- gies , whose force was symbolic rather than legal : to the animal kingdom , the vegetable kingdom , the " little kingdom " man , the kingdom of the heavens . For the explaining of actual events ...
Pagina 214
... course , Which , being broken , doth corrupt the state Of minds and things , even in the best of all . ( I.i.205-8 , 218-22 ) Philander's grim predictions of course come true . Sack- ville and Norton anticipate Shakespeare's dramatic ...
... course , Which , being broken , doth corrupt the state Of minds and things , even in the best of all . ( I.i.205-8 , 218-22 ) Philander's grim predictions of course come true . Sack- ville and Norton anticipate Shakespeare's dramatic ...
Inhoudsopgave
Character Studies | 21 |
Gender Issues | 41 |
Marriage | 84 |
Copyright | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Fragmentweergave - 1984 |
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action actors All's Antony Antony's audience becomes bed-trick Bertram blood Brutus Brutus's Cade Cade's Cassius ceremony characters claim comedy comic conspirators Coriolanus Countess critics death desire Diana dramatic Duke Edward Elizabethan England English Epicurean essay father female feminine French gender Gentlemen of Verona Gloucester Helena Henry Henry VI Henry's heroic honor husband irony Jack Cade Joan Joan's Julia Julius Caesar King King's Lafew language Lavatch letter London lord male Mannerist Margaret marriage masculine means moral murder nature noble oath Parolles play play's plebeians plot Plutarch political Portia problem Problem Comedies Proteus Queen reading Renaissance rhetoric Richard Richard III ritual role Roman Rome says scene seems sexual Shake Shakespeare Silvia social soliloquy speak speare speare's speech spirit stage Suffolk suggests Talbot Tamburlaine theater theatrical thee thou Thurio tion tragedy unnatural Valentine virginity virtue Warwick wife woman women words York Yorkist