Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 63Gale Research Company, 1984 |
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Pagina 139
... bodies and , more specifically , to materialize the body's sex , to materialize sexual difference in the service of the consolidation of the heterosexual impera- tive . . . . what constitutes the fixity of the body , its contours , its ...
... bodies and , more specifically , to materialize the body's sex , to materialize sexual difference in the service of the consolidation of the heterosexual impera- tive . . . . what constitutes the fixity of the body , its contours , its ...
Pagina 316
... body to establish the validity of her claim on Brutus . When she appeals to Brutus on his own Stoic terms , Portia's proffered " proof " that she will not " disclose " her husband's " counsels " ap- pears to be highly successful ...
... body to establish the validity of her claim on Brutus . When she appeals to Brutus on his own Stoic terms , Portia's proffered " proof " that she will not " disclose " her husband's " counsels " ap- pears to be highly successful ...
Pagina 320
... body itself . His use of the corpse contributes importantly to his successful manipulation of the crowd . Caesar's body , a prop used to demonstrate Antony's purposeful interpreta- tion of the assassination , becomes the equivalent of ...
... body itself . His use of the corpse contributes importantly to his successful manipulation of the crowd . Caesar's body , a prop used to demonstrate Antony's purposeful interpreta- tion of the assassination , becomes the equivalent of ...
Inhoudsopgave
Character Studies | 21 |
Gender Issues | 41 |
Marriage | 84 |
Copyright | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Fragmentweergave - 1984 |
Veelvoorkomende woorden en zinsdelen
action actors All's Antony Antony's audience becomes bed-trick Bertram blood Brutus Brutus's Cade Cade's Cassius ceremony characters claim comedy comic conspirators Coriolanus Countess critics death desire Diana dramatic Duke Edward Elizabethan England English Epicurean essay father female feminine French gender Gentlemen of Verona Gloucester Helena Henry Henry VI Henry's heroic honor husband irony Jack Cade Joan Joan's Julia Julius Caesar King King's Lafew language Lavatch letter London lord male Mannerist Margaret marriage masculine means moral murder nature noble oath Parolles play play's plebeians plot Plutarch political Portia problem Problem Comedies Proteus Queen reading Renaissance rhetoric Richard Richard III ritual role Roman Rome says scene seems sexual Shake Shakespeare Silvia social soliloquy speak speare speare's speech spirit stage Suffolk suggests Talbot Tamburlaine theater theatrical thee thou Thurio tion tragedy unnatural Valentine virginity virtue Warwick wife woman women words York Yorkist