Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 63Gale Research Company, 1984 |
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Pagina 306
... Rome As easily as a king . ( I.ii. 156-159 ) And Cassius ' efforts have an effect best seen in Brutus ' patriotic response to his anonymous note : Shall Rome stand under one man's awe ? What , Rome ? My ancestors did from the streets of ...
... Rome As easily as a king . ( I.ii. 156-159 ) And Cassius ' efforts have an effect best seen in Brutus ' patriotic response to his anonymous note : Shall Rome stand under one man's awe ? What , Rome ? My ancestors did from the streets of ...
Pagina 325
... Rome Under these hard conditions as this time Is like to lay upon us . ( 1.2.172-75 ) But , of himself , he has ... Rome and Rome must be saved from itself , but will Rome consent to be " saved " ? Brutus wars with Rome and against Rome ...
... Rome Under these hard conditions as this time Is like to lay upon us . ( 1.2.172-75 ) But , of himself , he has ... Rome and Rome must be saved from itself , but will Rome consent to be " saved " ? Brutus wars with Rome and against Rome ...
Pagina 328
... Rome is changing , Rome's past has to be accommodated to the new reality of the Republic and so there must be a new foundation for public authority . In this story Coriolanus becomes a representative of that past and stories of his ...
... Rome is changing , Rome's past has to be accommodated to the new reality of the Republic and so there must be a new foundation for public authority . In this story Coriolanus becomes a representative of that past and stories of his ...
Inhoudsopgave
Character Studies | 21 |
Gender Issues | 41 |
Marriage | 84 |
Copyright | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Fragmentweergave - 1984 |
Veelvoorkomende woorden en zinsdelen
action actors All's Antony Antony's audience becomes bed-trick Bertram blood Brutus Brutus's Cade Cade's Cassius ceremony characters claim comedy comic conspirators Coriolanus Countess critics death desire Diana dramatic Duke Edward Elizabethan England English Epicurean essay father female feminine French gender Gentlemen of Verona Gloucester Helena Henry Henry VI Henry's heroic honor husband irony Jack Cade Joan Joan's Julia Julius Caesar King King's Lafew language Lavatch letter London lord male Mannerist Margaret marriage masculine means moral murder nature noble oath Parolles play play's plebeians plot Plutarch political Portia problem Problem Comedies Proteus Queen reading Renaissance rhetoric Richard Richard III ritual role Roman Rome says scene seems sexual Shake Shakespeare Silvia social soliloquy speak speare speare's speech spirit stage Suffolk suggests Talbot Tamburlaine theater theatrical thee thou Thurio tion tragedy unnatural Valentine virginity virtue Warwick wife woman women words York Yorkist