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WHEN I HAVE BORNE IN MEMORY WHAT HAS TAMED

When I have borne in memory what has tamed

Great Nations, how ennobling thoughts depart

When men change swords for ledgers and desert

The student's bower for gold, some fears unnamed

I had, my Country! - am I to be blamed? Now when I think of thee, and what thou art,

Verily, in the bottom of my heart,

Of those unfilial fears I am ashamed.
For dearly must we prize thee; we who
find

In thee a bulwark for the cause of men; 10
And I by my affection was beguiled.
What wonder if a Poet now and then,
Among the many movements of his mind,
Felt for thee as a lover or a child!

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THOUGHT OF A BRITON ON THE SUBJUGATION OF SWITZERLAND

Two Voices are there; one is of the sea, One of the mountains; each a mighty Voice: In both from age to age thou didst rejoice,

They were thy chosen music, Liberty! There came a Tyrant, and with holy glee 5 Thou fought'st against him; but hast vainly striven.

Thou from thy Alpine holds at length art driven,

Where not a torrent murmurs heard by thee. Of one deep bliss thine ear hath been bereft; Then cleave, O cleave to that which still is left;

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SAMUEL TAYLOR COLERIDGE (1772-1834)

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Coleridge was the son of a Devonshire clergyman, about whose eccentricities some amusing stories are told. As a poor, friendless boy' he came to London at the age of ten, and entered Christ's Hospital, the famous charity school founded by Edward VI, at the same time as Charles Lamb, with whom he struck up a friendship which lasted as long as they lived. Coleridge was a dreamy, precocious youth, who talked neo-platonism and recited Homer and Pindar in Greek in the play ground. In 1791 he was admitted as a 'sizar' or poor student at Jesus College, Cambridge, which he left in his second year, encumbered with debt and disappointed in love, to enlist in a dragoon regiment under the name of Silas Tomkyn Cumberback. As he could not ride or clean his horse and accoutrements, he proved unsuccessful as a cavalry soldier, and after four months was sent back to the university. He left Cambridge without a degree in 1795, having already formed with Southey, who was at Oxford, the design of the Pantisocracy, an ideal community to be founded on the banks of the Susquehanna by twelve gentlemen and twelve ladies of good education and liberal principles. Southey and Coleridge did not go to America, but they married the two Miss Frickers, who were to have been their partners in the adventure. Mrs. Coleridge complained that her husband would walk up and down composing poetry when he ought to have been in bed,' and the union proved an ill-assorted one, but as Coleridge brought his bride to a cottage near Bristol unfurnished with groceries or kitchen ware, the fault was not entirely on her side. Coleridge was all his life terribly impractical, as his own story of the publication of The Watchman at this time, given below, abundantly shows. In the same year (1796) Coleridge made the acquaintance of Wordsworth, and the two poets formed a strong friendship, based upon mutual affection, admiration, and reverence. Wordsworth thought Coleridge the only wonderful man he had ever met; ' Coleridge said of Wordsworth, I feel myself a little man by his side.' The two poets were very different in appearance and disposition. Wordsworth's tall, gaunt frame, his high ascetic forehead, stately expression and reserved manner contrasted sharply with Coleridge's stockish figure, awkward gait, and good-natured face with curly black hair and ardent gray eyes. For more than a year (1797-8) the two poets were constantly together, and their communion resulted, not only in the publication of Lyrical Ballads, as already related (p. 503), but in the permanent enrichment of each poetic nature by contact with another, richly though differently endowed. After transitory appearances as a Unitarian minister and a London journalist, Coleridge returned from his studies in Germany to publish his translation of Schiller's Wallenstein (1800) and to establish his family at Greta Hall, Keswick, a few miles from the Wordsworths. His lack of will power was increased by the habit of taking laudanum, which became fixed in 1803, and grew upon him to an alarming extent. Lamb described him in 1806 as an archangel, a little damaged'; a less humorous account says he was ill, penniless, and worse than homeless.' Another attempt at periodical publication, The Friend (1809), was no better managed, and no more successful than The Watchman. His lectures in London, begun about the same time, were more profitable, both to himself and to the public, in spite of his habit of lecturing on anything but the subject announced, and his occasional failure to come at all; the scattered notes he left behind contain some most valuable contributions to Shaksperean criticism. Unable to break himself of the opium habit, Coleridge in 1816 put himself under the care of Dr. Gillman, of Highgate, a London suburb, with whom he lived until his death. His poetic productivity had practically ceased years before, but he continued to write prose (Biographia Literaria, 1817; Aids to Reflection, 1825), and to pour forth the flood of impassioned and philosophical talk he had begun as a school boy at Christ's Hospital. Some of it is preserved in Table Talk, published after his death. Coleridge had all the powers of a great poet except the ordinary virtues of concentration and continuity of purpose. The only great poem he succeeded in completing was the Ancient Mariner, on which he worked under the spur of Wordsworth's influence. He projected innumerable literary undertakings, most of which were not even begun. Yet his influence in producing what a modern critic has called the renascence of wonder' was as revolutionary as that of Wordsworth in another way, and if the change in poetry is rightly named 'the romantic revival,' Coleridge must be given a place by the side of his greater friend and fellow poet as one of the makers of the new era.

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BIOGRAPHIA LITERARIA

FROM CHAPTER X

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An imprudent man of common goodness of heart cannot but wish to turn even his imprudences to the benefit of others, as far as this is possible. If therefore any one of the readers of this semi-narrative should be preparing or intending a periodical work, I warn him, 10 in the first place, against trusting in the number of names on his subscription list. For he cannot be certain that the names were put down by sufficient authority; or, should that be ascertained, it still re- 15 mains to be known, whether they were not extorted by some over zealous friend's importunity; whether the subscriber had not yielded his name, merely from want of courage to answer, no; and 20 with the intention of dropping the work as soon as possible. One gentleman procured me nearly a hundred names for The Friend, and not only took frequent opportunity to remind me of his success 25 in his canvass, but labored to impress my mind with the sense of the obligation, I was under to the subscribers; for, (as he very pertinently admonished me,) 'fifty-two shillings a year was a large 30 sum to be bestowed on one individual, where there were so many objects of charity with strong claims to the assistance of the benevolent.' Of these hundred patrons ninety threw up the publication before the fourth number, without any notice; though it was well known to them, that in consequence of the distance, and the slowness and irregularity of the conveyance, I was com- 40 pelled to lay in a stock of stamped paper for at least eight weeks beforehand; each sheet of which stood me in five pence previously to its arrival at my printer's; though the subscription money was not to 45 be received till the twenty-first week after the commencement of the work; and lastly, though it was in nine cases out of ten impracticable for me to receive the money for two or three numbers without 50 paying an equal sum for the postage.

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In confirmation of my first caveat, I will select one fact among many. On my list of subscribers, among a considerable number of names equally flattering, 55 was that of an Earl of Cork, with his address. He might as well have been an

Earl of Bottle, for aught I knew of him, who had been content to reverence the peerage in abstracto, rather than in concretis. Of course The Friend was regularly sent as far, if I remember right, as the eighteenth number; that is, till a fortnight before the subscription was to be paid. And lo! just at this time I received a letter from his lordship, reproving me in language far more lordly than courteous for my impudence in directing my pamphlets to him, who knew nothing of me or my work! Seventeen or eighteen numbers of which, however, his lordship was pleased to retain, probably for the culinary or post-culinary conveniences of his servants.

Secondly, I warn all others from the attempt to deviate from the ordinary mode of publishing a work by the trade. I thought indeed, that to the purchaser it was indifferent, whether thirty per cent. of the purchase-money went to the booksellers or to the government; and that the convenience of receiving the work by the post at his own door would give the preference to the latter. It is hard, I own, to have been laboring for years, in collecting and arranging the materials; to have spent every shilling that could be spared after the necessaries of life had been furnished, in buying books, or in journeys for the purpose of consulting them or of acquiring facts at the fountain head; then to buy the paper, pay for the printing, and the like, all at least fifteen per cent. beyond what the trade would have paid; and then after all to give thirty per cent. not of the net profits, but of the gross results of the sale, to a man who has merely to give the books shelf or warehouse room, and permit his apprentice to hand them over the counter to those who may ask for them; and this too copy by copy, although, if the work be on any philosophical or scientific subject, it may be years before the edition is sold off. All this, I confess, must seem a hardship, and one, to which the products of industry in no other mode of exertion are subject. Yet even this is better, far better, than to attempt in any way to unite the functions of author and publisher. But the most prudent mode is to sell the copyright, at least of one or more editions, for the most that the trade will offer. By few only

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