MARCUS AURELIUS AT HOME.

BY WALTER PATER.

(From "Marius the Epicurean.")

HECH

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[WALTER HORATIO PATER: An English critic and author; born in London, August 4, 1839. Educated at King's School, Canterbury, and at Queen's College, Oxford, he became a Fellow of Brasenose College (1865), where he spent the greater portion of his life. He died in 1894. Among his works, which are distinguished for critical insight and exquisite style, may be mentioned: "Studies in the History of the Renaissance" (1873), "Marius the Epicurean," "Imaginary Portraits," " Appreciations, ""Plato and Platonism."]

MARIUS climbed the long flights of steps to be introduced to the emperor Aurelius. Attired in the newest mode, his legs wound in dainty fascia of white leather, with the heavy gold ring of the ingenuus, and in his toga of ceremony, he still retained all his country freshness of complexion. The eyes of the "golden youth" of Rome were upon him as the chosen friend of Cornelius and the destined servant of the emperor; but not jealously. In spite of, perhaps partly because of, his habitual reserve of manner, he had become "the fashion," even among those who felt instinctively the irony which lay beneath that remarkable self-possession, as of one taking all things with a difference from other people, perceptible in voice, in expression, and even in his dress. It was, in truth, the air of one who, entering vividly into life, and relishing to the full the delicacies of its intercourse, yet feels all the while, from the point of view of an ideal philosophy, that he is but conceding reality to suppositions, choosing of his own will to walk in a daydream, of the illusiveness of which he at least is aware.

In the house of the chief chamberlain Marius waited for the due moment of admission to the emperor's presence. The summons came; and in a few minutes, the etiquette of the imperial household being still a simple matter, he had passed the curtains which divided the central hall of the palace into three parts-three degrees of approach to the sacred person and was speaking to Aurelius himself; not in Greek, in which the emperor oftenest conversed with the learned, but, more familiarly, in Latin, adorned however, or disfigured, by many a Greek phrase, as now and again French phrases have made the adornment of fashionable English. It was with real kindliness that Marcus Aurelius looked upon

Marius, as a youth of great attainments in Greek letters and philosophy; and he liked also his serious expression, being, as we know, a believer in the doctrine of physiognomy - that, as he puts it, not love only, but every other affection of man's soul, looks out very plainly from the window of the eyes.

The apartment in which Marius found himself was of ancient aspect, and richly decorated with the favorite toys of two or three generations of imperial collectors, now finally revised by the high connoisseurship of the Stoic emperor himself, though destined not much longer to remain together there. It is the repeated boast of Aurelius that he had learned from old Antoninus Pius to maintain authority without the constant use of guards, in a robe woven by the handmaids of his own consort, with no processional lights or images, and “that a prince may shrink himself almost into the figure of a private gentleman." And yet, again as at his first sight of him, Marius was struck by the profound religiousness of the surroundings of the imperial presence. The effect might have been due in part to the very simplicity, the discreet and scrupulous simplicity, of the central figure in this splendid abode; but Marius could not forget that he saw before him not only the head of the Roman religion, but one who might actually have claimed something like divine worship, had he cared to do so. Though the fantastic pretensions of Caligula had brought some contempt on that claim, which had become almost a jest under the ungainly Claudius, yet, from Augustus downwards, a vague divinity had seemed to surround the Cæsars even in this life; and the peculiar character of Aurelius, at once a ceremonious polytheist never forgetful of his pontifical calling, and a philosopher whose mystic speculation encircled him with a sort of saintly halo, had restored to his person, without his intending it, something of that divine prerogative, or prestige. Though he would never allow the immediate dedication of altars to himself, yet the image of his Genius - his spirituality or celestial counterpart was placed among those of the deified princes of the past; and his family, including Faustina and the young Commodus, was spoken of as the "holy" or "divine" house. Many a Roman courtier agreed with the barbarian chief, who, after contemplating a predecessor of Aurelius, withdrew from his presence with the exclamation: "I have seen a god to-day!" The very roof of his house, rising into a pediment or gable, like that of the sanctuary of

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a god, the laurels on either side its doorway, the chaplet of oak leaves above, seemed to designate the place for religious veneration. And notwithstanding all this, the household of Aurelius was singularly modest, with none of the wasteful expense of palaces after the fashion of Lewis the Fourteenth; the palatial dignity being felt only in a peculiar sense of order, the absence of all that was casual, of vulgarity and discomfort. A merely official residence of his predecessors, the Palatine had become the favorite dwelling place of Aurelius; its manycolored memories suiting, perhaps, his pensive character, and the crude splendors of Nero and Hadrian being now subdued by time. The windowless Roman abode must have had much of what to a modern would be gloom. How did the children, one wonders, endure houses with so little escape for the eye into the world outside? Aurelius, who had altered little else, choosing to live there, in a genuine homeliness, had shifted and made the most of the level lights, and broken out a quite medieval window here and there, and the clear daylight, fully appreciated by his youthful visitor, made pleasant shadows among the objects of the imperial collection. Some of these, indeed, by reason of their Greek simplicity and grace, themselves shone out like spaces of a purer, early light, amid the splendors of the Roman manufacture.

Though he looked, thought Marius, like a man who did not sleep enough, he was abounding and bright to-day, after one of those pitiless headaches which since boyhood had been the "thorn in his side," challenging the pretensions of his philosophy to fortify one in humble endurances. At the first moment, to Marius, remembering the spectacle of the emperor in ceremony, it was almost bewildering to be in private conversation with him. There was much in the philosophy of Aureliusmuch consideration of mankind at large, of great bodies, aggregates and generalities, after the Stoic manner — which, on a nature less rich than his, might have acted as an inducement to care for people in inverse proportion to their nearness to him. That has sometimes been the result of the Stoic cosmopolitanism. Aurelius, however, determined to beautify by all means, great or little, a doctrine which had in it some potential sourness, had brought all the quickness of his intelligence, and long years of observation, to bear on the conditions. of social intercourse. He had early determined "not to make business an excuse to decline the offices of humanity—not to

pretend to be too much occupied with important affairs to concede what life with others may hourly demand;" and with such success, that, in an age which made much of the finer points of that intercourse, it was felt that the mere honesty of his conversation was more pleasing than other men's flattery. His agreeableness to his young visitor to-day was, in truth, a blossom of the same wisdom which had made of Lucius Verus really a brother-the wisdom of not being exigent with men, any more than with fruit trees (it is his own favorite figure) beyond their nature. And there was another person, still nearer to him, regarding whom this wisdom became a marvel, of equity of charity..

The center of a group of princely children, in the same apartment with Aurelius, amid all the refined intimacies of a modern home, sat the empress Faustina, warming her hands over a fire. With her long fingers lighted up red by the glowing coals of the brazier, Marius looked close upon the most beautiful woman in the world, who was also the great paradox of the age, among her boys and girls. As has been truly said. of the numerous representations of her in art, so in life, she had the air of one curious, restless, to enter into conversation with the first comer. She had certainly the power of stimulating a very ambiguous sort of curiosity about herself. And Marius found this enigmatic point in her expression, that even after seeing her many times he could never precisely recall her features in absence. The lad of six years, looking older, who stood beside her, impatiently plucking a rose to pieces over the hearth, was, in outward appearance, his father-the young Verissimus — over again; but with a certain feminine length of feature, and with all his mother's alertness, or license, of gaze.

Yet rumor knocked at every door and window of the imperial house regarding the adulterers who knocked at them, or quietly left their lovers' garlands there. Was not that likeness of the husband, in the boy beside her, really the effect of a shameful magic, in which the blood of the murdered gladiator, his true father, had been an ingredient? Were the tricks for deceiving husbands which the Roman poet describes, really hers, and her household an efficient school of all the arts of furtive love? Or, was the husband too aware, like every one beside? Were certain sudden deaths which happened there, really the work of apoplexy, or the plague?

The man whose ears, whose soul, those rumors were meant to penetrate, was, however, faithful to his sanguine and optimist philosophy, to his determination that the world should be to him simply what the higher reason preferred to conceive it; and the life's journey Aurelius had made so far, though involving much moral and intellectual loneliness, had been ever in affectionate and helpful contact with other wayfarers, very unlike himself. Since his days of earliest childhood in the Lateran gardens, he seemed to himself, blessing the gods for it after deliberate survey, to have been always surrounded by kinsmen, friends, servants, of exceptional virtue. From the great Stoic idea, that we are all fellow-citizens of one city, he had derived a tenderer, a more equitable estimate than was common among Stoics, of the eternal shortcomings of men and women. Considerations that might tend to the sweetening of his temper it was his daily care to store away, with a kind of philosophic pride in the thought that no one took more goodnaturedly than he the "oversights" of his neighbors. For had not Plato taught (it was not paradox, but simple truth of experience) that if people sin, it is because they know no better, and are "under the necessity of their own ignorance"? Hard to himself, he seemed at times, doubtless, to decline too softly upon unworthy persons. Actually, he came thereby upon many a useful instrument. The empress Faustina he would seem at least to have kept, by a constraining affection, from becoming altogether what most people have believed her, and won in her (we must take him at his word in the "Thoughts," abundantly confirmed by letters, on both sides, in his correspondence with Cornelius Fronto) a consolation, the more secure, perhaps, because misknown of others. Was the secret of her actual blamelessness, after all, with him who has at least screened her name? At all events, the one thing quite certain about her, besides her extraordinary beauty, is her sweetness to himself.

No! The wise, who had made due observation on the trees of the garden, would not expect to gather grapes of thorns or fig trees and he was the vine, putting forth his genial fruit, by natural law, again and again, after his kind, whatever use people might make of it. Certainly, his actual presence never lost its power, and Faustina was glad in it to-day, the birthday of one of her children, a boy who stood at her knee holding in his fingers tenderly a tiny silver trumpet, one of his birthday