Treatises on Poetry, Modern Romance, and Rhetoric: Being the Articles Contributed to the Encyclopaedia Britannica, 7th EdBlack, 1839 - 381 pagina's |
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Pagina 61
... regard either to the satirical works of Lucilius or his own . Neither in Ennius , however , nor in his dramatic succes- sors , Plautus ( died 184 B. c . ) or Terence ( born 195 , died 159 B. c . ) , do we meet with much that is truly ...
... regard either to the satirical works of Lucilius or his own . Neither in Ennius , however , nor in his dramatic succes- sors , Plautus ( died 184 B. c . ) or Terence ( born 195 , died 159 B. c . ) , do we meet with much that is truly ...
Pagina 65
... regard to Dido , whose sole object is to acquire a settlement in Italy ; who , in breaking off the match of Turnus with Lavinia , is instigated , not by passion , but by policy ; and who would in all probability VIRGIL . 65.
... regard to Dido , whose sole object is to acquire a settlement in Italy ; who , in breaking off the match of Turnus with Lavinia , is instigated , not by passion , but by policy ; and who would in all probability VIRGIL . 65.
Pagina 112
... regard- ed , or their general influence on fiction . The period of their appearance extends from the last half of the twelfth , through the whole of the thirteenth and part of the four- teenth century , but the greater number are ...
... regard- ed , or their general influence on fiction . The period of their appearance extends from the last half of the twelfth , through the whole of the thirteenth and part of the four- teenth century , but the greater number are ...
Pagina 122
... regard a new one . His originality , in short , lies entirely in his application of the idea , and the point and compactness with which the image is brought out by his hands . His success in these respects is great ; but it is a success ...
... regard a new one . His originality , in short , lies entirely in his application of the idea , and the point and compactness with which the image is brought out by his hands . His success in these respects is great ; but it is a success ...
Pagina 126
... regard to style and expression , as well as in the spirit of nationality and religious feeling which it imparted to the poetry by which it was succeeded . The plan , indeed , la- bours under great and insuperable defects . The mind of ...
... regard to style and expression , as well as in the spirit of nationality and religious feeling which it imparted to the poetry by which it was succeeded . The plan , indeed , la- bours under great and insuperable defects . The mind of ...
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admitted Æneid ancient appears argument Ariosto Aristotle beauty belief Boccaccio century character charm chivalry Cicero Clara Reeve comic composition critical Ctesiphon Demosthenes discourse drama effect eloquence English epic excitement exhibited extravagant fact fancy feeling fiction French genius Goethe grace Greece Greek hearers Hesiod Homer human humour Iliad imagery imagination imitations impression incidents influence interest invention Italian Italian poetry language less literature lyric lyric poetry manner ment merit mind Minnesingers modern moral nature novel novelists observation orator oratory painting passion peculiar period personages Petrarch philosophy Pindar poem poet poetical poetry possess present principles probably produced proof prose Provençal qualities racter reasoning remarkable render rhetoric rhetorical Induction romance satire says scarcely scenes Scott seems sense sentiment Sir Walter Scott Smollett Spanish Spanish poetry speaker spirit Sterne style success tale taste tion tone truth verses Voltaire words writer
Populaire passages
Pagina 25 - Poetry produces an illusion on the eye of the mind, as a magic lantern produces an illusion on the eye of the body. And, as the magic lantern acts best in a dark room, poetry effects its purpose most completely in a dark age.
Pagina 200 - Like one, that on a lonesome road Doth walk in fear and dread, And having once turned round walks on, And turns no more his head ; Because he knows, a frightful fiend Doth close behind him tread.
Pagina 3 - Whatever withdraws us from the power of our senses, whatever makes the past, the distant, or the future predominate over the present, advances us in the dignity of thinking beings.
Pagina 13 - The law under which the processes of Fancy are carried on is as capricious as the accidents of things, and the effects are surprising, playful, ludicrous, amusing, tender, or pathetic, as the objects happen to be appositely produced or fortunately combined. Fancy depends upon the rapidity and profusion with which she scatters her thoughts and images ; trusting that their number, and the felicity with which they are linked together, will make amends for the want of individual value...
Pagina 54 - Hesperus ! thou bringest all good things — Home to the weary, to the hungry cheer, To the young bird the parent's brooding wings, The welcome stall to the...
Pagina 115 - Mais elle était du monde où les plus belles choses Ont le pire destin ; Et rose elle a vécu ce que vivent les roses, L'espace d'un matin.
Pagina 2 - POETRY is not the proper antithesis to prose, but to science. Poetry is opposed to science, and prose to metre. The proper and immediate object of science is the acquirement, or communication, of truth ; the proper and immediate object of poetry is the communication of immediate pleasure.
Pagina 13 - But the imagination is conscious of an indestructible dominion ; the soul may fall away from it, not being able to sustain its grandeur ; but if once felt and acknowledged, by no act of any other faculty of the mind can it be relaxed, impaired, or diminished. Fancy is given to quicken and to beguile the temporal part of our nature, imagination to incite and support the eternal.
Pagina 34 - ... .Then said he unto me, prophesy unto the wind, prophesy, Son of man, and say to the wind, thus saith the Lord God; Come from the four winds, O breath, and breathe upon these slain, that they may live.
Pagina 358 - It is rapid harmony, exactly adjusted to the sense. It is vehement reasoning, without any appearance of art. It is disdain, anger, boldness, freedom, involved in a continual stream of argument. And of all human productions, the orations of Demosthenes present to us the models which approach the nearest to perfection.