Treatises on Poetry, Modern Romance, and Rhetoric: Being the Articles Contributed to the Encyclopaedia Britannica, 7th EdBlack, 1839 - 381 pagina's |
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Pagina 7
... mind of man ; imagination and fancy to furnish the materials ; judgment and taste to select and ar- range them ; these are common to the great poet and the great painter . What determines these energies and capa- bilities to the one ...
... mind of man ; imagination and fancy to furnish the materials ; judgment and taste to select and ar- range them ; these are common to the great poet and the great painter . What determines these energies and capa- bilities to the one ...
Pagina 8
... mind which forms new conceptions out of previously existing materials ; " con- ceptions not absolutely justifiable by the rules of logic , but quite intelligible to the mind when duly elevated ; intelligible through our sympathies or ...
... mind which forms new conceptions out of previously existing materials ; " con- ceptions not absolutely justifiable by the rules of logic , but quite intelligible to the mind when duly elevated ; intelligible through our sympathies or ...
Pagina 10
... mind within any equal space , lies the chief difference between the work of a great poet and an inferior one , be- tween an original or an imitative mind . The images suggested by the imagination , we have said , are frequently complex ...
... mind within any equal space , lies the chief difference between the work of a great poet and an inferior one , be- tween an original or an imitative mind . The images suggested by the imagination , we have said , are frequently complex ...
Pagina 11
... mind was entirely of a prosaic cha- racter . In these , and a thousand similar instances , particu- larly in Shakspeare , it is clear that the poetical effect can be explained upon no ordinary principle of reason . The metaphors are ...
... mind was entirely of a prosaic cha- racter . In these , and a thousand similar instances , particu- larly in Shakspeare , it is clear that the poetical effect can be explained upon no ordinary principle of reason . The metaphors are ...
Pagina 17
... mind to search for resemblances among things different , and to lay them up in the memory as in a treasury ; these ... minds the impression with which we had first view- ed it , and which had faded away and become forgotten . It is ...
... mind to search for resemblances among things different , and to lay them up in the memory as in a treasury ; these ... minds the impression with which we had first view- ed it , and which had faded away and become forgotten . It is ...
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Veelvoorkomende woorden en zinsdelen
admitted Æneid ancient appears argument Ariosto Aristotle beauty belief Boccaccio century character charm chivalry Cicero Clara Reeve comic composition critical Ctesiphon Demosthenes discourse drama effect eloquence English epic excitement exhibited extravagant fact fancy feeling fiction French genius Goethe grace Greece Greek hearers Hesiod Homer human humour Iliad imagery imagination imitations impression incidents influence interest invention Italian Italian poetry language less literature lyric lyric poetry manner ment merit mind Minnesingers modern moral nature novel novelists observation orator oratory painting passion peculiar period personages Petrarch philosophy Pindar poem poet poetical poetry possess present principles probably produced proof prose Provençal qualities racter reasoning remarkable render rhetoric rhetorical Induction romance satire says scarcely scenes Scott seems sense sentiment Sir Walter Scott Smollett Spanish Spanish poetry speaker spirit Sterne style success tale taste tion tone truth verses Voltaire words writer
Populaire passages
Pagina 25 - Poetry produces an illusion on the eye of the mind, as a magic lantern produces an illusion on the eye of the body. And, as the magic lantern acts best in a dark room, poetry effects its purpose most completely in a dark age.
Pagina 200 - Like one, that on a lonesome road Doth walk in fear and dread, And having once turned round walks on, And turns no more his head ; Because he knows, a frightful fiend Doth close behind him tread.
Pagina 3 - Whatever withdraws us from the power of our senses, whatever makes the past, the distant, or the future predominate over the present, advances us in the dignity of thinking beings.
Pagina 13 - The law under which the processes of Fancy are carried on is as capricious as the accidents of things, and the effects are surprising, playful, ludicrous, amusing, tender, or pathetic, as the objects happen to be appositely produced or fortunately combined. Fancy depends upon the rapidity and profusion with which she scatters her thoughts and images ; trusting that their number, and the felicity with which they are linked together, will make amends for the want of individual value...
Pagina 54 - Hesperus ! thou bringest all good things — Home to the weary, to the hungry cheer, To the young bird the parent's brooding wings, The welcome stall to the...
Pagina 115 - Mais elle était du monde où les plus belles choses Ont le pire destin ; Et rose elle a vécu ce que vivent les roses, L'espace d'un matin.
Pagina 2 - POETRY is not the proper antithesis to prose, but to science. Poetry is opposed to science, and prose to metre. The proper and immediate object of science is the acquirement, or communication, of truth ; the proper and immediate object of poetry is the communication of immediate pleasure.
Pagina 13 - But the imagination is conscious of an indestructible dominion ; the soul may fall away from it, not being able to sustain its grandeur ; but if once felt and acknowledged, by no act of any other faculty of the mind can it be relaxed, impaired, or diminished. Fancy is given to quicken and to beguile the temporal part of our nature, imagination to incite and support the eternal.
Pagina 34 - ... .Then said he unto me, prophesy unto the wind, prophesy, Son of man, and say to the wind, thus saith the Lord God; Come from the four winds, O breath, and breathe upon these slain, that they may live.
Pagina 358 - It is rapid harmony, exactly adjusted to the sense. It is vehement reasoning, without any appearance of art. It is disdain, anger, boldness, freedom, involved in a continual stream of argument. And of all human productions, the orations of Demosthenes present to us the models which approach the nearest to perfection.