Treatises on Poetry, Modern Romance, and Rhetoric: Being the Articles Contributed to the Encyclopaedia Britannica, 7th EdBlack, 1839 - 381 pagina's |
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Pagina 5
... composition , and still more in the most fascinating form of fictitious composition , poetry . For here the tendency of the poem is felt to be no mere speculative question , but a real dispute " pro aris et focis ; " a contest whether ...
... composition , and still more in the most fascinating form of fictitious composition , poetry . For here the tendency of the poem is felt to be no mere speculative question , but a real dispute " pro aris et focis ; " a contest whether ...
Pagina 14
... compositions of all eloquent writers , whether in prose or verse , and chiefly from those of our own country . Scarcely a page of the impassioned parts of Bishop Taylor's works can be opened that shall not afford examples . Referring ...
... compositions of all eloquent writers , whether in prose or verse , and chiefly from those of our own country . Scarcely a page of the impassioned parts of Bishop Taylor's works can be opened that shall not afford examples . Referring ...
Pagina 18
... composition of Rokeby , he observed him noting down even the peculiar little wild flowers and herbs that acciden- tally grew round and on the side of a crag near his intend- ed cave of Guy Denzil ; and on his saying that he need not ...
... composition of Rokeby , he observed him noting down even the peculiar little wild flowers and herbs that acciden- tally grew round and on the side of a crag near his intend- ed cave of Guy Denzil ; and on his saying that he need not ...
Pagina 19
... composition of poetry , the mind , attempered to delight , feels more sensitively the exquisite form into which the mate- rial expression of its conception is wrought . " The very shackles imposed by metre and rhyme , though they may ...
... composition of poetry , the mind , attempered to delight , feels more sensitively the exquisite form into which the mate- rial expression of its conception is wrought . " The very shackles imposed by metre and rhyme , though they may ...
Pagina 20
... composition of any length , which has attained a permanent popularity , was ever thrown off at a heat ; and that the nearer the work approaches to the appearance of spontaneity , the greater has in general been the extent of the labour ...
... composition of any length , which has attained a permanent popularity , was ever thrown off at a heat ; and that the nearer the work approaches to the appearance of spontaneity , the greater has in general been the extent of the labour ...
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Veelvoorkomende woorden en zinsdelen
admitted Æneid ancient appears argument Ariosto Aristotle beauty belief Boccaccio century character charm chivalry Cicero Clara Reeve comic composition critical Ctesiphon Demosthenes discourse drama effect eloquence English epic excitement exhibited extravagant fact fancy feeling fiction French genius Goethe grace Greece Greek hearers Hesiod Homer human humour Iliad imagery imagination imitations impression incidents influence interest invention Italian Italian poetry language less literature lyric lyric poetry manner ment merit mind Minnesingers modern moral nature novel novelists observation orator oratory painting passion peculiar period personages Petrarch philosophy Pindar poem poet poetical poetry possess present principles probably produced proof prose Provençal qualities racter reasoning remarkable render rhetoric rhetorical Induction romance satire says scarcely scenes Scott seems sense sentiment Sir Walter Scott Smollett Spanish Spanish poetry speaker spirit Sterne style success tale taste tion tone truth verses Voltaire words writer
Populaire passages
Pagina 25 - Poetry produces an illusion on the eye of the mind, as a magic lantern produces an illusion on the eye of the body. And, as the magic lantern acts best in a dark room, poetry effects its purpose most completely in a dark age.
Pagina 200 - Like one, that on a lonesome road Doth walk in fear and dread, And having once turned round walks on, And turns no more his head ; Because he knows, a frightful fiend Doth close behind him tread.
Pagina 3 - Whatever withdraws us from the power of our senses, whatever makes the past, the distant, or the future predominate over the present, advances us in the dignity of thinking beings.
Pagina 13 - The law under which the processes of Fancy are carried on is as capricious as the accidents of things, and the effects are surprising, playful, ludicrous, amusing, tender, or pathetic, as the objects happen to be appositely produced or fortunately combined. Fancy depends upon the rapidity and profusion with which she scatters her thoughts and images ; trusting that their number, and the felicity with which they are linked together, will make amends for the want of individual value...
Pagina 54 - Hesperus ! thou bringest all good things — Home to the weary, to the hungry cheer, To the young bird the parent's brooding wings, The welcome stall to the...
Pagina 115 - Mais elle était du monde où les plus belles choses Ont le pire destin ; Et rose elle a vécu ce que vivent les roses, L'espace d'un matin.
Pagina 2 - POETRY is not the proper antithesis to prose, but to science. Poetry is opposed to science, and prose to metre. The proper and immediate object of science is the acquirement, or communication, of truth ; the proper and immediate object of poetry is the communication of immediate pleasure.
Pagina 13 - But the imagination is conscious of an indestructible dominion ; the soul may fall away from it, not being able to sustain its grandeur ; but if once felt and acknowledged, by no act of any other faculty of the mind can it be relaxed, impaired, or diminished. Fancy is given to quicken and to beguile the temporal part of our nature, imagination to incite and support the eternal.
Pagina 34 - ... .Then said he unto me, prophesy unto the wind, prophesy, Son of man, and say to the wind, thus saith the Lord God; Come from the four winds, O breath, and breathe upon these slain, that they may live.
Pagina 358 - It is rapid harmony, exactly adjusted to the sense. It is vehement reasoning, without any appearance of art. It is disdain, anger, boldness, freedom, involved in a continual stream of argument. And of all human productions, the orations of Demosthenes present to us the models which approach the nearest to perfection.