The Language of the Modes: Studies in the History of Polyphonic Modality

12 modes 12-mode system Aaron ambitus Amerus Andreas Raselius antiphons Artusi authentic and plagal B-flat Banchieri bass Boethius cadences century chap chapter clef composer contains counterpoint Dahlhaus Dedication signed discussion Dodekachordon eight modes example falsibordoni fifth final fourth Gaffurius Gioseffo Zarlino Giovanni Girolamo Scotto Glarean interval species Istitutioni Johannes Josquin Lechner Legrense Leonhard Lechner Liber libro madrigals Magnificat Manuscript Marchetto Meier melody mentioned Missa modal affects modal characteristics modal cycles modal theory modi modos monophonic motets musicians octave species octo omnis cantus definition Orlande de Lassus Palestrina particular piece Pietro plagal modes plainchant polyphonic compositions polyphonic modality practice printed psalm tones psalm-tone reciting note Renaissance Rhau ricercars RISM solmisation song soprano sources tenor principle Tinctoris Tinctoris's tonal type toni tonorum tonos tonus transposition treatises treatment tuono twelve modes twelve-mode system Venezia Vicentino vihuela vocum voices Willaert Winterfeld Zarlino