could play on his flute without having it broken over his head.

When his confinement terminated he was a man. He had nearly completed his twenty-first year, and could scarcely be kept much longer under the restraints which had made his boyhood miserable. Suffering had matured his understanding, while it had hardened his heart and soured his temper. He had learnt self-command and dissimulation: he affected to conform to some of his father's views, and submissively accepted a wife, who was a wife only in name, from his father's hand. He also served with credit, though without any opportunity of acquiring brilliant distinction, under the command of Prince Eugene, during a campaign marked by no extraordinary events. He was now permitted to keep a separate establishment, and was therefore able to indulge with caution his own tastes. Partly in order to conciliate the King, and partly, no doubt, from inclination, he gave up a portion of his time to military and political business, and thus gradually acquired such an aptitude for affairs as his most intimate associates were not aware that he possessed.

His favourite abode was at Rheinsberg, near the frontier which separates the Prussian dominions from the Duchy of Mecklenburg. Rheinsberg is a fertile and smiling spot, in the midst of the sandy waste of the Marquisate. The mansion, surrounded by woods of oak and beech, looks out upon a spacious lake. There Frederic amused himself by laying out gardens in regular alleys and intricate mazes, by building obelisks, temples, and conservatories, and by collecting rare fruits and flowers. His retirement was enlivened by a few companions, among whom he seems to have preferred those who, by birth or extraction, were French. With these inmates he dined and supped well, drank freely, and amused himself sometimes with concerts, and sometimes with holding

chapters of a fraternity which he called the Order of Bayard; but literature was his chief resource.

His education had been entirely French. The long ascendency which Lewis the Fourteenth had enjoyed, and the eminent merit of the tragic and comic dramatists, of the satirists, and of the preachers who had flourished under that magnificent prince, had made the French language predominant in Europe. Even in countries which had a national literature, and which could boast of names greater than those of Racine, of Molière, and of Massillon, in the country of Dante, in the country of Cervantes, in the country of Shakspeare and Milton, the intellectual fashions of Paris had been to a great extent adopted. Germany had not yet produced a single masterpiece of poetry or eloquence. In Germany, therefore, the French taste reigned without rival and without limit. Every youth of rank was taught to speak and write French. That he should speak and write his own tongue with politeness, or even with accuracy and facility, was regarded as comparatively an unimportant object. Even Frederic William, with all his rugged Saxon prejudices, thought it necessary that his children should know French, and quite unnecessary that they should be well versed in German. The Latin was positively interdicted. My son," his Majesty wrote, "shall not learn Latin; and, more than that, I will not suffer any body even to mention such a thing to me." One of the preceptors ventured to read the Golden Bull in the original with the Prince Royal. Frederic William entered the room, and broke out in his usual kingly style.

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Rascal, what are you at there?"

"Please your Majesty," answered the preceptor, "I was explaining the Golden Bull to his Royal Highness."

"I'll Golden Bull you, you rascal!" roared the Majesty of Prussia. Up went the King's cane; away ran the terrified instructor; and Frederic's classical

studies ended for ever. He now and then affected to quote Latin sentences, and produced such exquisitely Ciceronian phrases as these: "Stante pede morire,"

"De gustibus non est disputandus,”- "Tot verbas tot spondera." Of Italian, he had not enough to read a page of Metastasio with ease; and of the Spanish and English, he did not, as far as we are aware, understand a single word.

As the highest human compositions to which he had access were those of the French writers, it is not strange that his admiration for those writers should have been unbounded. His ambitious and eager temper early prompted him to imitate what he admired. The wish, perhaps, dearest to his heart was, that he might rank among the masters of French rhetoric and poetry. He wrote prose and verse as indefatigably as if he had been a starving hack of Cave or Osborn; but Nature, which had bestowed on him, in a large measure, the talents of a captain and of an administrator, had withheld from him those higher and rarer gifts, without which industry labours in vain to produce immortal eloquence and song. And, indeed, had he been blessed with more imagination, wit, and fertility of thought, than he appears to have had, he would still have been subject to one great disadvantage, which would, in all probability, have for ever prevented him from taking a high place among men of letters. He had not the full command of any language. There was no machine of thought which he could employ with perfect ease, confidence, and freedom. He had German enough to scold his servants, or to give the word of command to his grenadiers; but his grammar and pronunciation were extremely bad. He found it difficult to make out the meaning even of the simplest German poetry. On one occasion a version of Racine's Iphigénie was read to him. He held the French original in his hand; but was forced to own that, even with such help, he could not understand the trans

lation. Yet, though he had neglected his mother tongue in order to bestow all his attention on French, his French was, after all, the French of a foreigner. It was necessary for him to have always at his beck some men of letters from Paris to point out the solecisms and false rhymes of which, to the last, he was frequently guilty. Even had he possessed the poetic faculty, of which, as far as we can judge, he was utterly destitute, the want of a language would have prevented him from being a great poet. No noble work of imagination, as far as we recollect, was ever composed by any man, except in a dialect which he had learned without remembering how or when, and which he had spoken with perfect ease before he had ever analysed its structure. Romans of great abilities wrote Greek verses; but how many of those verses have deserved to live? Many men of eminent genius have, in modern times, written Latin poems; but, as far as we are aware, none of those poems, not even Milton's, can be ranked in the first class of art, or even very high in the second. It is not strange, therefore, that, in the French verses of Frederic, we can find nothing beyond the reach of any man of good parts and industry, nothing above the level of Newdigate and Seatonian poetry. His best pieces may perhaps rank with the worst in Dodsley's collection. In history, he succeeded better. We do not, indeed, find, in any part of his voluminous Memoirs, either deep reflection or vivid painting. But the narrative is distinguished by clearness, conciseness, good sense, and a certain air of truth and simplicity, which is singularly graceful in a man who, having done great things, sits down to relate them. On the whole, however, none of his writings are so agreeable to us as his Letters, particularly those which are written with earnestness, and are not embroidered with verses.

It is not strange that a young man devoted to literature, and acquainted only with the literature of France, should have looked with profound veneration

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on the genius of Voltaire. "A man who has never seen the sun," says Calderon, in one of his charming comedies, cannot be blamed for thinking that no glory can exceed that of the moon. A man who has seen neither moon nor sun, cannot be blamed for talking of the unrivalled brightness of the morning star." Had Frederic been able to read Homer and Milton, or even Virgil and Tasso, his admiration of the Henriade would prove that he was utterly destitute of the power of discerning what is excellent in art. Had he been familiar with Sophocles or Shakspeare, we should have expected him to appreciate Zaire more justly. Had he been able to study Thucydides and Tacitus in the original Greek and Latin, he would have known that there were heights in the eloquence of history far beyond the reach of the author of the Life of Charles the Twelfth. But the finest heroic poem, several of the most powerful tragedies, and the most brilliant and picturesque historical work that Frederic had ever read, were Voltaire's. Such high and various excellence moved the young Prince almost to adoration. The opinions of Voltaire on religious and philosophical questions had not yet been fully exhibited to the public. At a later period, when an exile from his country, and at open war with the Church, he spoke out. But when Frederic was at Rheinsberg, Voltaire was still a courtier; and, though he could not always curb his petulant wit, he had as yet published nothing that could exclude him from Versailles, and little that a divine of the mild and generous school of Grotius and Tillotson might not read with pleasure. In the Henriade, in Zaire, and in Alzire, Christian piety is exhibited in the most amiable form; and, some years after the period of which we are writing, a Pope condescended to accept the dedication of Mahomet. The real sentiments of the poet, however, might be clearly perceived by a keen eye through the decent disguise with which he veiled them, and could not escape the sagacity of