The Theatre of the Greeks: A Series of Papers Relating to the History and Criticism of the Greek DramaPitt Press, 1836 - 598 pagina's |
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Pagina 7
... Chorus ? In the earliest times of Greece , it was customary for the whole population of a city to meet on stated occasions and offer up thanksgivings to the gods for any great blessings by singing hymns , and performing corresponding ...
... Chorus ? In the earliest times of Greece , it was customary for the whole population of a city to meet on stated occasions and offer up thanksgivings to the gods for any great blessings by singing hymns , and performing corresponding ...
Pagina 8
... chorus which sang the praises of the national deity , and the army which marched to fight the national enemies . These two bodies were composed , in the former case inclusively , of the same persons ; they were drawn up in the same ...
... chorus which sang the praises of the national deity , and the army which marched to fight the national enemies . These two bodies were composed , in the former case inclusively , of the same persons ; they were drawn up in the same ...
Pagina 9
... chorus songs , and if the lyric poetry of the Eolians and Ionians was always ( with the exception perhaps of Corinna's Boeotian choruses ) written in the Doric dialect , the choral poetry , of which it was a modification , must have ...
... chorus songs , and if the lyric poetry of the Eolians and Ionians was always ( with the exception perhaps of Corinna's Boeotian choruses ) written in the Doric dialect , the choral poetry , of which it was a modification , must have ...
Pagina 18
... chorus of fifty men or boys around a blazing altar1 : hence it was also called , the Cyclic chorus . The subjects were generally the birth of Bac- chus , and his misfortunes . Indeed , unless we misunderstand terms , and the transition ...
... chorus of fifty men or boys around a blazing altar1 : hence it was also called , the Cyclic chorus . The subjects were generally the birth of Bac- chus , and his misfortunes . Indeed , unless we misunderstand terms , and the transition ...
Pagina 20
... chorus , and is besides expressly stated . In what then did the dramatic element consist ? That the Dithyrambic Chorus itself was always , and 1. See Böckh in the Appendix to this Section . Welcker , Nachtrag , p . 244. " The lyrical ...
... chorus , and is besides expressly stated . In what then did the dramatic element consist ? That the Dithyrambic Chorus itself was always , and 1. See Böckh in the Appendix to this Section . Welcker , Nachtrag , p . 244. " The lyrical ...
Overige edities - Alles bekijken
The Theatre of the Greeks: A Series of Papers Relating to the History and ... John William Donaldson Volledige weergave - 1836 |
The Theatre of the Greeks: A Series of Papers Relating to the History and ... John William Donaldson,James Tate Geen voorbeeld beschikbaar - 2013 |
The Theatre of the Greeks: A Series of Papers Relating to the History and ... John William Donaldson,James Tate Geen voorbeeld beschikbaar - 2018 |
Veelvoorkomende woorden en zinsdelen
Acharn action actor Anapestic ancient appears Arist Aristoph Aristophanes Aristotle Arundel Marble Athenæus Athenian Athens Attic Bacchus called character choragus chorus Clytemnestra comedians comic poet Cratinus Dactyl dance dialogue Dithyramb Dorians Drama Edipus Electra Elmsley Epicharmus Eschylus Euripides exhibited fable Grecian Greek Homer Iambic imitation instance invention lyric manner means metre moral nature object Old Comedy Olymp Orestes original passage perhaps persons Phalaris Phrynichus Pisistratus Plato Plautus play Plut Plutarch poem poetry prize quæ quod Roman satyrical says Schol Scholiast seqq shew Solon Sophocles species Spondee stage Suidas Susarion syllable theatre Thespis Thespis's thing tion tragedians Tragedy tragic trilogy Trochaic verse Welcker whole word ἀλλ ἂν ἀπὸ γὰρ δὲ εἰ εἰς ἐκ ἐν ἐπὶ ἦν καὶ μὲν μὴ οἱ ὅπως οὐ οὐκ περὶ πρὸς τὰ τε τὴν τῆς τὸ τοῖς τὸν τοῦ τοὺς τῷ τῶν ὡς
Populaire passages
Pagina 479 - I have not slept. Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma or a hideous dream : The genius and the mortal instruments Are then in council ; and the state of a man, Like to a little kingdom, suffers then The nature of an insurrection.
Pagina 162 - For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action, and its end is a mode of action, not a quality. Now character determines men's qualities, but it is by their actions that they are happy or the reverse.
Pagina 164 - A whole is that which has a beginning, a middle, and an end. A beginning is that which does not itself follow anything by causal necessity, but after which something naturally is or comes to be. An end, on the contrary, is that which itself naturally follows some other thing, either by necessity or as a rule, but has nothing following it. A middle is that which follows something...
Pagina 180 - Metaphor consists in giving the thing a name that belongs to something else; the transference being either from genus to species, or from species to genus, or from species to species, or on grounds of analogy.
Pagina 156 - But as the objects of imitation are the actions of men, and these men must of necessity be either good or bad (for on this does character principally depend; the manners being, in all men, most strongly marked by virtue and vice), it follows that we can only represent men either as better than they actually are, or worse, or exactly as they are...
Pagina 160 - ... and saltatorial genius of the poem at that time ; but when the dialogue was formed, nature itself pointed out the proper metre. For the iambic is, of all metres, the most colloquial ; as appears evidently from this fact, that our common conversation frequently falls into iambic verse ; seldom into hexameter, and only when we depart from the usual melody of speech.
Pagina 189 - In order to judge whether what is said or done by any character be well or ill, we are not to consider that speech or action alone, whether in itself it be good or bad, but also by whom it is spoken or done, to whom, at what time, in what manner, or for what end — whether, for instance, in order to obtain some greater good or to avoid some greater evil. V For the solution of some objections we must have recourse to the diction. For example: ovpfjas pev Trpajrov . . . ' On mules and dogs the infection...
Pagina 167 - Oedipus, the messenger, meaning to make Oedipus happy, and to relieve him from the dread he was under with respect to his mother, by making known to him his real birth, produces an effect directly contrary to his intention. Thus also in the tragedy of Lynceus...
Pagina 186 - The surprising is necessary in Tragedy ; but the Epic Poem goes farther, and admits even the improbable and incredible, from which the highest degree of the surprising results, because there the action is not seen.
Pagina 169 - ... compassion. Neither should the contrary change from adversity to prosperity be exhibited in a vicious character: this, of all plans, is the most opposite to the genius of Tragedy, having no one property that it ought to have; for it is neither gratifying, in a moral view, nor affecting nor terrible. Nor, again, should the fall of a very bad man from prosperous to adverse fortune be represented ; because, though such a subject may be pleasing from its moral tendency, it will produce neither pity...