Studies in Philology, Volume 54University of North Carolina Press, 1957 |
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Pagina 141
... tragic justice ( i . e . , the death of the hero along with the villain ) . Thus the dis- tinctive dramatic role for tragic treatments of civil discord was the culpable hero , the protagonist who was both good and evil , right and wrong ...
... tragic justice ( i . e . , the death of the hero along with the villain ) . Thus the dis- tinctive dramatic role for tragic treatments of civil discord was the culpable hero , the protagonist who was both good and evil , right and wrong ...
Pagina 162
... tragic protagonist , and the strategic unwisdom of examining the character must therefore be risked.2 First , about Bosola as protagonist : he appears first as a rather impressive villain . He undergoes a profound change during the ...
... tragic protagonist , and the strategic unwisdom of examining the character must therefore be risked.2 First , about Bosola as protagonist : he appears first as a rather impressive villain . He undergoes a profound change during the ...
Pagina 163
... tragic justice , it may well have been necessary to create , or at least develop , an active tragic hero . The alternative , an Aragonian trilogy , was hardly feasible . At any rate , Act V of The Duchess of Malfi is not irrelevant ...
... tragic justice , it may well have been necessary to create , or at least develop , an active tragic hero . The alternative , an Aragonian trilogy , was hardly feasible . At any rate , Act V of The Duchess of Malfi is not irrelevant ...
Inhoudsopgave
Wheeler Thomas The Purpose of Bacons History | 1 |
CONTENTS | 3 |
TYRE RICHARD | 29 |
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