Studies in Philology, Volume 54University of North Carolina Press, 1957 |
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Pagina 150
... sword and armor Antony wears are the visible signs of his soldiership and power - he is the " triple pillar of the world . . . ” ( I. i . 12 ) . But as the play progresses , the power of Antony's sword is under- cut by his association ...
... sword and armor Antony wears are the visible signs of his soldiership and power - he is the " triple pillar of the world . . . ” ( I. i . 12 ) . But as the play progresses , the power of Antony's sword is under- cut by his association ...
Pagina 151
... sword by challenging Caesar to single combat : I dare him therefore To lay his gay comparisons apart And answer me declin'd , sword against sword , Ourselves alone . ( III . xiii . 25-28 ) It is an unreal , histrionic effort , for ...
... sword by challenging Caesar to single combat : I dare him therefore To lay his gay comparisons apart And answer me declin'd , sword against sword , Ourselves alone . ( III . xiii . 25-28 ) It is an unreal , histrionic effort , for ...
Pagina 152
... sword reflects the abandonment of his Roman role of soldier and world conqueror . Our final image of Antony's sword balances the fall of Antony against the rise of Caesar . Once again , the sword enters signifi- cantly into the stage ...
... sword reflects the abandonment of his Roman role of soldier and world conqueror . Our final image of Antony's sword balances the fall of Antony against the rise of Caesar . Once again , the sword enters signifi- cantly into the stage ...
Inhoudsopgave
Wheeler Thomas The Purpose of Bacons History | 1 |
CONTENTS | 3 |
TYRE RICHARD | 29 |
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