PART SECOND. 1493-1517. THE PERIOD WHEN, THE INTERIOR ORGANIZATION OF THE MONARCHY HAVING BEEN COMPLETED, THE SPANISH NATION ENTERED ON ITS SCHEMES OF DISCOVERY AND CONQUEST; OR THE PERIOD ILLUSTRATING MORE PARTICULARLY THE FOREIGN POLICY OF FERDINAND AND ISABELLA. Louis XII.'s Designs on Italy. - Alarm of the Spanish Court. - Bold His munificent Spirit. He captures Tarento. Seizes the Duke of Calabria. X. DURING the last four years of our narrative, in CHAPTER which the unsettled state of the kingdom and the progress of foreign discovery appeared to demand the whole attention of the sovereigns, a most important revolution was going forward in the affairs of Italy. The death of Charles the Eighth would seem to have dissolved the relations recently arisen between that country and the rest of Europe, and to have restored it to its ancient independence. It might naturally have been expected that France, under her new monarch, who had reached a mature age, rendered still more mature by the lessons he had imbibed in the school of adversity, would feel the folly of reviving ambitious schemes, which had cost so dear and ended so disastrously. Italy, too, it might have been presumed, lacerated and still bleeding at every pore, would have learned the fatal consequence of invoking foreign aid in her domestic quarrels, and of throwing open the gates to a torrent, sure to sweep down friend and foe indiscriminately in its progress. But experience, alas! did not bring wisdom, and passion triumphed as usual. Louis the Twelfth, on ascending the throne, assumed the titles of Duke of Milan and King of Naples, thus unequivocally announcing his intention of asserting his claims, derived through the Visconti family, to the former, and through the Angevin dynasty, to the latter state. His aspiring temper was stimulated rather than satisfied by the martial renown he had acquired in the Italian wars; and he was urged on by the great body of the French chivalry, who, disgusted with a life of inaction, longed for a field where they might win new laurels, and indulge in the joyous license of military adven ture. Unhappily, the court of France found ready instruments for its purpose in the profligate politicians of Italy. The Roman pontiff, in particular, Alexander the Sixth, whose criminal ambition assumes something respectable by contrast with the low vices in which he was habitually steeped, willingly lent himself to a monarch, who could so effectually serve his selfish schemes of building up the fortunes of his family. The ancient republic of Venice, departing from her usual sagacious policy, and yielding to her hatred of Lodovico Sforza, X. and to the lust of territorial acquisition, consented to CHAPTER unite her arms with those of France against Milan, in consideration of a share (not the lion's share) of the spoils of victory. Florence, and many other inferior powers, whether from fear or weakness, or the shortsighted hope of assistance in their petty international feuds, consented either to throw their weight into the same scale, or to remain neutral.1 Having thus secured himself from molestation in Italy, Louis the Twelfth entered into negotiations with such other European powers, as were most likely to interfere with his designs. The Emperor Maximilian, whose relations with Milan would most naturally have demanded his interposition, was deeply entangled in a war with the Swiss. The neutrality of Spain was secured by the treaty of Marcoussis, August 5th, 1498, which settled all the existing differences with that country. And a treaty with Savoy in the following year guarantied a free passage through her mountain passes to the French army into Italy.2 conquer Milan. 1499. Sept. Having completed these arrangements. Louis lost The French no time in mustering his forces, which, descending like a torrent on the fair plains of Lombardy, effected the conquest of the entire duchy in little more than a fortnight; and, although the prize was snatched for a moment from his grasp, yet French valor and Swiss perfidy soon restored it. The miserable Sforza, the dupe of arts which he had so 1 Guicciardini, Istoria, tom. i. lib. 4, p. 214. ed. 1645. — Flassan, Diplomatie Française, tom. i. pp. 275, 277. 2 Dumont, Corps Diplomatique, tom. iii. pp. 397-400.- Flassan, Diplomatie Française, tom. i. p. 279. |