KEY TO THE REHEARSAL. ACT I: Page 216, line 28, second col. "Bayes. In fine, it shall read, and write, and act, and plot, and shew, ay, and pit, box, and gallery, 'egad, with any play in Europe." The usual language of the Hon. Edward Howard, Esq., at the rehearsal of his plays. Ibid, line 56. "Bayes. These my rules." He who writ this, not without pain and thought, The scenes unbroken, and a mingled chime Page 217, line 29, second col. "Bayes. I writ that part only for her. You must know she is my mistress. The part of Amarillis was acted by Mrs Anne Reeves, who, at that time, was kept by Mr Bayes. Page 218, line 28, first col. Two kings of Brentford, supposed to be the two brothers, the king and the duke.-See page 239, line 16, second col. Page 219, line 12, first col. "Bayes. No, sir, there are certain ties upon me, that I cannot be disengaged from.” He contracted with the king's company of actors, in the year 1668, for a whole share, to write them four plays a-year. Ibid, line 47. "So boar and sow, when any storm is nigh, So two kind turtles, when a storm is nigh, Conquest of Granada, part II. p. 48. Ibid, line 16, second col. "Thun. I am the bold Thunder. Slighted Maid, p. 48. See the Amorous Prince, p. 20, 22, 39, 69, | where you will find all the chief commands and directions are given in whispers. Page 220, line 19, second col. "Mr William Wintershall was a most excellent, judicious actor, and the best instructor of others. He died in July, 1679." Ibid, line 53. Bayes: If I am to write familiar things, as sonnets."-See line 53, second column of this page. Page 221, line 10, first col. "Take snuff." He was a great taker of snuff, and made most of it himself. Ibid, line 26, second col. "Intrigue in a late play." The Lost Lady, by Sir Robert Stapelton. "As some tall pine, which we on Etna find In imitation of this passage. As some fair tulip, by a storm oppressed, Page 222, line 58, second col. "Bayes. The whole state's turn'd," &c. Such easy turns of state are frequent in our modern plays, where we see princes dethroned, and governments changed, by very feeble means, and on slight occasions; particularly in Marriage a-la-Mode, a play writ since the first publication of this farce, where (to pass by the dulness of the state part, the obscurity of the comic, the near resemblance Leonidas bears to our Prince Prettyman, being sometimes a king's son, sometimes a shepherd's, and not to question how Amalthea comes to be a princess, her brother, the king's great favourite, being but a lord) 'tis worth our while to observe how easily the fierce and jealous usurper is deposed, and the right heir placed on the throne; and it is thus related by the said imaginary princess: Amalth. Oh! gentlemen, if you have loyalty Or courage, shew it now: Leonidas Broke on a sudden from his guards, and snatching A sword from one, his back against the scaffold, Bravely defends himself, and owns aloud He is our long lost king, found for this moment, Marriage a-la-Mode, p. 69. This shews Mr Bayes to be a man of great constancy, and firm to his resolution, and not to be laughed out of his own method, agreeable to what he says in the next act: "As long as I know my things are good, what care I what they say." bear My fall from your sight, not to cost you a tear; This is the latter part of a song, made by Mr Bayes, on the death of Captain Digby, son of George, Earl of Bristol, who was a passionate admirer of the duchess-dowager of Richmond, called by the author Armida. He lost his life in a sea-fight against the Dutch, the 28th of May, 1672. Page 224, line 52, second col. "John. Pit, box, and gallery, Mr Bayes !" Mr Edward Howard's words. Page 225, line 19, first col. “Cordel. My lieges, news from Volscius the prince. Gent.-Ush. His news is welcome, whatso e'er it be." Albert. Curtius, I've something to deliver to your ear. Cur. Any thing from Alberto is welcome. Page 226, line 27, second col. English Monsieur, p. 36, 38, 39. "Fair madam, give me leave to ask her name." Ibid, line 60. Ibid, p. 40. "Thou bring'st the morning pictur'd in a cloud.” I. 10. "Ama. How! Prince Volscius in love! ha, ha, ha !" Page 228, line 7, first col. "Bayes. Gentlemen, because I would not have any two things alike in this play, the last act beginning with a witty scene of mirth, I begin this with a funeral." Colonel Henry Howard, son of Thomas, Earl of Berkshire, made a play, called the "United Kingdoms," which began with a funeral, and had also two kings in it. This gave the duke a just occasion to set up two kings in Brentford, as 'tis generally believed, though others are of opinion that his grace had our two brothers in his thoughts. It was acted at the Cock-pit in DruryLane, soon after the restoration, but, miscarrying on the stage, the author had the modesty not to print it; and therefore the reader cannot reasonably expect any particular passages of it. Others say that they are Boabdelin and Abdalla, and Mr the two contending kings of Granada; Dryden has, in the most of his serious plays, two contending kings of the same place. Ibid, line 27. "I'll speak a bold word:-it shall drum, trumpet, shout, and battle, 'egad, with any the most warlike tragedy we have, either ancient or modern." Conquest of Granada, in two parts. Ibid, line 55, second col. "Smi. Who is she? Bayes. The sister of Drawcansir; a lady that was drowned at sea, and had a wave to her winding-sheet." On seas I bore her, and on seas I died; Conquest of Granada, part II. p. 113. remove, I'll come a humble-bee to your chaste love: With silent wings I'll follow you, dear cous, Or else before you in the sun beams buz; And when to melancholy groves you come, An airy ghost, you'll know me by my hum; "Bayes. You shall see a combat betwixt love For sound, being air, a ghost does well become. Mr Comely in love!-English Monsieur, p. 49. At night, into your bosom I will creep, In ridicule of this. -My earthly part, Which is my tyrant's right, death will remove; Page 230, line 7, first col. "Pal. Lo, from this conquering lance See the scene in The Villain, p. 47-53, where the host furnishes his guests with a collation out of his clothes, a capon from his helmet, a tansey out of the lining of his cap, cream out of his scabbard, &c. Provoke my rage no farther, lest I be Ibid, line 26. "He is too proud a man to creep servilely after sense, I assure you." Poets, like lovers, should be bold, and dare; ACT V. Page 231, line 54, second col. "K. Ush. But stay, what sound is this invades our ears?" What various noises do my ears invade, Page 232, line 20, first col. "1st King. Haste, brother king, we are sent from above. 2d King. Let us move, let us move; Move, to remove the fate Of Brentford's long united state. 1st King. Tarra, tan, tarra !—full east and by south. 24 King. We sail with thunder in our mouth. In scorching noon-day, whilst the traveller stays, Busy, busy, busy, busy, we bustle along, Mounted upon warm Phoebus's rays, Through the heavenly throng, Hasting to those Who will feast us at night with a pig's petty toes. 1st King. And we'll fall with our plate In an olio of hate. 2d King. But, now supper's done, the servitors try, Like soldiers, to storm a whole half-moon pye. 1st King. They gather, they gather hot custards in spoons: But, alas! I must leave these half-moons, 2d King. O! stay, for you need not as yet go The tide, like a friend, has brought ships in our In ridicule of this. In a jelly of love. Dam. But now the sun's down, and the element's red, The spirits of fire against us make head. Alas! I must leave thee, my fair, Dam. Ŏ! stay, for you need not to fear them to-night; The wind is for us, and blows full in their sight, And o'er the wide ocean we fight. Like leaves in the autumn our foes will fall down, And hiss in the water Both. And hiss in the water, and drown. Naker. But their men lie securely entrench'd in a cloud, And a trumpeter-hornet to battle sounds loud. Dam. Now mortals, that spy How we tilt in the sky, With wonder, will gaze, And will fear such events as will ne'er come to pass. Naker. Stay you to perform what the man will have done. Dam. Then call me again when the battle is won. Both. So ready and quick is a spirit of air Tyrannic Love, p. 24, 25. Page 232, line 17, second col. "Bayes. This, sir, you must know, I thought once to have brought in with a conjuror." See Tyrannic Love, act 4, scene 1. Page 233, line 16, first col. "What dreadful noise is this that comes and goes? Sol. Haste hence, great sirs, your royal persons What new misfortunes do these cries presage ? 1st Mess. Haste all you can their fury to assuage; Naker. Hark! my Damilcar, we are called You are not safe from their rebellious rage. below. Dam. Let us go, let us go; Go, to relieve the care VOL. III. 2d Mess. This minute, if you grant not their dcsire, They'll seize your person, and your palace fire. Granada, part II p. 71. Q |