Shoots up, with dew-drops streaming, As emeralds, seen Thro' purest crystal gleaming! Oh the Shamrock, the green, immortal Shamrock! So firmly fond May last the bond, They wove that morn together, One drop of gall On Wir's celestial feather; May Love, as shoot Of thorny falsehood weed 'em ; May VALOUR ne'er His standard rear Against the cause of Freedom! Oh the Shamrock, the green, immortal Shamrock! Chosen leaf Of Bard and Chief, Old ERIN's native Shamrock! AT THE MID HOUR OF NIGHT. Ar the mid hour of night, when stars are weeping, I fly And I think that, if spirits can steal from the regions of air, Then I sing the wild song it once was rapture to hear, 2 Have circled the board since we met, 1 Saint Patrick is said to have made use of that species of the trefoil, to which in Ireland We give the name of Shamrock, in explaining the doctrine of the Trinity to the Pagan Irish. I do not know if there be any other reason for our adoption of this plant as a national emblem. HOPE, among the ancients, was sometimes represented as a beautiful child, "standing upon tip-toes, and a trefoil or three-coloured grass in her hand." 2 "There are countries, says MONTAIGNE, "where they believe the souls of the happy live in all manner of liberty, in delightful fields, and that it is those souls, repeating the words we utter, which we call Echo." As onward we journey, how pleasant Cries, "onward;" and spurs the gay hours And never does Time travel faster, Than when his way lies among flow'rs. "TIS THE LAST ROSE OF SUMMER. "Tis the last rose of summer Left blooming alone; All her lovely companions No rose-bud is nigh, To reflect back her blushes, Or give sigh for sigh! I'll not leave thee, thou lone one! To pine on the stem; Since the lovely are sleeping, Go, sleep thou with them; Thus kindly I scatter Thy leaves o'er the bed, Where thy mates of the garden Lie scentless and dead. So soon may I follow, When friendships decay, Oh! who would inhabit This bleak world alone? THE YOUNG MAY MOON. THE young May moon is beaming, love, Through MORNA's grove,1 While the drowsy world is dreaming, love! Then awake! the heavens look bright, my dear, THE Minstrel-Boy to the war is gone, The minstrel fell! - but the foeman's chain "Thy songs were made for the pure and free, Yet I trembled, and something hung o'er me, I look'd for the lamp which, she told me, I flew to her chamber - 'twas lonely Ah, would it were death, and death only! But no, the young false one had fled. 1 "Steals silently to Morna's Grove." See a translation from the Irish, in Mr. Bunting's collection, by JOHN BROWN, one of my earliest college companions and friends, whose death was as singularly melancholy and unfortamate as his life had been amiable, honourable and exemplary. 2 These stanzas are founded upon an event of most melancholy importance to Ireland; if, as we are told by our Irish historians, it gave England the first opportunity of profiting by our divisions and subduing us. The following are the circumstances as related by O'Halloran. The king of Leinster had long conceived a violent affection for Dearbhorgil, daughter to the king of Meath, and though she had been for some time married to O'Ruark, prince of Breffni, yet it could not restrain his passion. They carried on a private correspondence, and she informed him that O'Ruark intended soon to go on a pilgrimage (an act of piety frequent in these days), and conjured him to embrace that opportunity of conveying her from a husband she detested, to a lover she adored. Mac Murchad too punctually obeyed the summons, and had the lady conveyed to his capital of Ferns." The Monarch Roderic espoused the cause of O'Ruark, while Mac Murchad fled to England, and obtained the assistance of Henry II. "Such," adds Giraldus Cambrensis (as I find him in an old translation), "is the variable and fickle nature of woman, by whom all mischief in the world (for the most part) do happen and come, as may appear by Marcus Antonius, and by the destruction of Troy." OH! HAD WE SOME BRIGHT LITTLE ISLE OF OUR OWN. OH! had we some bright little Isle of our own, In a blue summer ocean, far off and alone, Where a leaf never dies in the still-blooming bowers, With so fond a delay, A thin veil o'er the day; Where simply to feel that we breathe, that we live, There, with souls ever ardent and pure as the clime, Would steal to our hearts, and make all summer there! From decline as the bowers, And, with Hope, like the bee, Our life should resemble a long day of light, And our death come on, holy and calm as the night! FAREWELL! BUT, WHENEVER YOU WELCOME THE FAREWELL! HOUR. but, whenever you welcome the hour, Let Fate do her worst, there are relics of joy, And bring back the features that joy us'd to wear. OH! DOUBT ME NOT. Оn! doubt me not - the season Shall watch the fire awak'd by love. And fairest hands disturb'd the tree, Shall watch the fire awak'd by Love. And tho' my lute no longer May sing of Passion's ardent speli, Is o'er when Folly kept me free, Shall guard the flame awak'd by thee. YOU REMEMBER ELLEN.* You remember ELLEN, our hamlet's pride, Nor much was the maiden's heart at ease, They see a proud castle among the trees. And dearly the Lord of Rosna loves What WILLIAM the stranger woo'd and wed; I'D MOURN THE HOPES. I'D mourn the hopes that leave me, This Ballad was suggested by a well-known and interesting story told of a certain uobel family in England. |