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small, meagre legs, and peering out with his wild, hairy face from under his burden like a big-bodied spider. That "man with the pack" always inspired me with awe and reverence. Huge, almost sublime, in its tense rotundity, the packs, never laid aside and never might there not be within it? With what fleshcreeping curiosity I used to walk round about it at a safe distance, half expecting to see its striped covering stirred by the motions of a mysterious life, or that some evil monster would leap out of it, like robbers from Ali Baba's jars or armed men from the Trojan horse!

There was another class of peripatetic philosophers half pedler, half mendicant-who were in the habit of visiting us. One we recollect, a lame, unshaven, sinister-eyed, unwholesome fellow, with his basket of old newspapers and pamphlets, and his tattered blue umbrella, serving rather as a walking staff than as a protection from the rain. He told us on one occasion, in answer to our inquiring into the cause of his lameness, that when a young man he was employed on the farm of the chief magistrate of a neighboring State; where, as his ill-luck would have it, the governor's handsome daughter fell in love with him. He was caught one day in the young lady's room by her father; whereupon the irascible old gentleman pitched him unceremoniously out of the window, laming him for life, on the brick pavement below, like Vulcan on the rocks of Lemnos. As for the lady, he assured us "she took on dreadfully about it." "Did she die?" we inquired anxiously. There was a cun

ning twinkle in the old rogue's eye as he responded, "Well, no, she did n't. She got married."

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Twice a year, usually in the spring and autumn, we were honored with a call from Jonathan Plummer, maker of verses, pedler and poet, physician and parson, a Yankee troubadour, first and last minstrel of the valley of the Merrimac, encircled, to my wondering young eyes, with the very nimbus of immortality. He brought with him pins, needles, tape, and cotton-thread for my mother; jack-knives, razors, and soap for my father; and verses of his own composing, coarsely printed and illustrated with rude wood-cuts, for the delectation of the younger branches of the family. No lovesick youth could drown himself, no deserted maiden bewail the moon, no rogue mount the gallows, without fitting memorial in Plummer's Earthquakes, fires, fevers, and shipwrecks he regarded as personal favors from Providence, furnishing the raw material of song and ballad. Welcome to us in our country seclusion as Autolycus to the clown in Winter's Tale, we listened with infinite satisfaction to his readings of his own verses, or to his ready improvisation upon some domestic incident or topic suggested by his auditors. When once fairly over the difficulties at the outset of a new subject, his rhymes flowed freely, "as if he had eaten ballads and all men's ears grew to his tunes." His productions answered, as nearly as I can remember, to Shakespeare's description of a proper ballad, "doleful matter merrily set down, or a very pleasant theme sung

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