The World of the Imagination: Sum and SubstanceRowman & Littlefield, 1991 - 810 pagina's In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference. |
Vanuit het boek
Resultaten 1-5 van 40
Pagina xiii
... Poets 3. Experts B. Utopias : Political Fantasies 714 1. Eutopia 2. Dystopia C. Memories : Private Reveries 1. The Phases of Time 2. Past Perfect Memory : Stasis and Catharsis b . Moments of Being : C.S. Lewis and Virginia Woolf 724 a ...
... Poets 3. Experts B. Utopias : Political Fantasies 714 1. Eutopia 2. Dystopia C. Memories : Private Reveries 1. The Phases of Time 2. Past Perfect Memory : Stasis and Catharsis b . Moments of Being : C.S. Lewis and Virginia Woolf 724 a ...
Pagina 22
... poets alike to be central in human consciousness . In this literature fantasy is standardly defined as a lower level or mode of the imagination . The culmination of this subordination is Coleridge's influen- tial treatment in his ...
... poets alike to be central in human consciousness . In this literature fantasy is standardly defined as a lower level or mode of the imagination . The culmination of this subordination is Coleridge's influen- tial treatment in his ...
Pagina 31
... poets ' mode is instead a sort of musing , a way of meditating , of eschewing the contortions of intellectual self - consciousness while developing the possibility of a pre - rational ( though not , nota bene , an ir - rational ) kind ...
... poets ' mode is instead a sort of musing , a way of meditating , of eschewing the contortions of intellectual self - consciousness while developing the possibility of a pre - rational ( though not , nota bene , an ir - rational ) kind ...
Pagina 38
De content van deze pagina is beperkt.
De content van deze pagina is beperkt.
Pagina 39
De content van deze pagina is beperkt.
De content van deze pagina is beperkt.
Inhoudsopgave
VIII | 35 |
IX | 40 |
X | 46 |
XI | 48 |
XIII | 50 |
XIV | 51 |
XV | 57 |
XVI | 62 |
LVIII | 366 |
LIX | 373 |
LX | 385 |
LXI | 389 |
LXII | 396 |
LXIII | 415 |
LXIV | 416 |
LXV | 418 |
XVII | 69 |
XVIII | 70 |
XIX | 78 |
XX | 82 |
XXI | 89 |
XXII | 100 |
XXIII | 103 |
XXIV | 107 |
XXV | 108 |
XXVI | 109 |
XXVII | 110 |
XXVIII | 112 |
XXIX | 119 |
XXX | 120 |
XXXI | 156 |
XXXII | 180 |
XXXIII | 184 |
XXXIV | 193 |
XXXV | 207 |
XXXVI | 211 |
XXXVII | 213 |
XXXVIII | 217 |
XXXIX | 222 |
XL | 229 |
XLI | 230 |
XLII | 237 |
XLIII | 250 |
XLIV | 257 |
XLV | 269 |
XLVI | 271 |
XLVII | 281 |
XLVIII | 291 |
LI | 293 |
LII | 307 |
LIII | 315 |
LIV | 324 |
LV | 328 |
LVI | 354 |
LVII | 365 |
LXVI | 425 |
LXVII | 426 |
LXVIII | 432 |
LXIX | 439 |
LXX | 459 |
LXXI | 463 |
LXXII | 472 |
LXXIII | 486 |
LXXIV | 495 |
LXXV | 513 |
LXXVI | 519 |
LXXVII | 525 |
LXXVIII | 527 |
LXXIX | 530 |
LXXX | 545 |
LXXXI | 546 |
LXXXII | 559 |
LXXXIII | 577 |
LXXXIV | 581 |
LXXXV | 584 |
LXXXVI | 589 |
LXXXVII | 603 |
LXXXVIII | 618 |
LXXXIX | 637 |
XC | 639 |
XCI | 681 |
XCII | 685 |
XCIII | 700 |
XCIV | 711 |
XCV | 714 |
XCVI | 724 |
XCVII | 741 |
XCVIII | 742 |
XCIX | 757 |
C | 773 |
CIII | 787 |
799 | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
activity actual aesthetic Allan Paivio appearance Aristotle aspect C.S. Lewis called cognitive cognitive psychology cognitive science concept consciousness daydreaming depiction Descartes distinction distinguished dreams dystopias edited effect example existence experience external fact faculty fantasy fiction figures function geometric human Husserl ideas imaginary imagination imagistic inner insofar intellectual internal intuition Kant kind Kosslyn literary logical means memory mental imagery mental images metaphor mind mode myth nature Ned Block notion novel object Odysseus original painting perception phantasia Phenomenology philosophical physical Piaget pictorial picture Plato poetic poetry poets possible present problem projection propositional psychic psychology question reason relation representation resemblance Romantic Romanticism Sartre seems sensation sense sensibility sensory shape sort soul space spatial speak specific symbolic temporal theory things thinking thought tion tradition truth turn University Press Utopia verbal vision visual visual perception Wittgenstein words York
Populaire passages
Pagina 22 - Fancy is indeed no other than a mode of Memory emancipated from the order of time and space; while it is blended with, and modified by that empirical phenomenon of the will, which we express by the word CHOICE. But equally with the ordinary memory the Fancy must receive all its materials ready made from the law of association.* 2 1, 202.