Pol. Upon my honour, Ham. "Then came each actor on his ass,425 Pol. The best actors in the world, either for tragedy, comedy, history, pastoral, pastoralcomical, historical-pastoral, tragical-historical, tragical-comical - historical - pastoral, scene individable, or poem unlimited; Seneca can not be too heavy, nor Plautus too light. For the law of writ and the liberty, these are the only men. 430 Ham. O Jephthah, judge of Israel, what a treasure hadst thou! 435 Pol. What a treasure had he, my lord? Ham. Why, "One fair daughter, and no more, The which he loved passing well." Pol. [Aside.] Still on my daughter. 440 Ham. Am I not i' the right, old Jephthah? Pol. If you call me Jephthah, my lord, I have a daughter that I love passing well. Ham. Nay, that follows not. Pol. What follows, then, my lord? 445 Ham. Why, 450 "As by lot, God wot," and then, you know, "It came to pass, as most like it was,' The first row of the pious chanson will show you more, for look where my abridgement comes. Enter four or five Players. welcome all. I Welcome, good You are welcome, masters, First Play. What speech, my good lord? Ham. I heard thee speak me a speech once, but it was never acted; or, if it was, not above once. For the play, I remember, pleased not 470 the million; 'twas caviare to the general. But it was as I received it, and others, whose judgements in such matters cried in the top of mine-an excellent play, well digested in the scenes, set down with as much modesty 475 as cunning. I remember, one said there were no sallets in the lines to make the matter savoury, nor no matter in the phrase that might indict the author of affectation; but called it an honest method, as wholesome 480 485 490 495 500 as sweet, and by very much more handsome than fine. One speech in it I chiefly lov'd; 'twas Eneas's tale to Dido, and thereabout of it especially where he speaks of Priam's slaughter. If it live in your memory, begin at this line: let me see, let me see— "The rugged Phyrrus, like the Hyrcanian beast," "The rugged Pyrrhus, he whose sable arms, With heraldry more dismal. Head to foot With blood of fathers, mothers, daughters, sons, To their lords' murder. Roasted in wrath and And thus o'er-sized with coagulate gore, With eyes like carbuncles, the hellish Pyrrhus So, proceed you. Pol. 'Fore God, my lord, well spoken, with good accent and good discretion. 505 First Play. 510 "Anon he finds him The unnerved father falls. Then senseless Ilium, 515 Of reverend Priam, seemed i' the air to stick. But, as we often see, against some storm, 520 A silence in the heavens, the rack stand still, 525 Out, out, thou strumpet, Fortune! All you gods, 530 Break all the spokes and fellies from her wheel, And bowl the round nave down the hill of heaven Pol. This is too long. Prithee, say on; he's for a jig or a tale of Hecuba. 535 First Play. "But who, O, who, had seen the mobled 540 queen-" Ham. "The mobled queen"? Pol. That's good; "mobled queen" is good. 545 550 555 560 565 570 First Play. "Run barefoot up and down, threatening the flames With bisson rheum, a clout upon that head A blanket, in the alarm of fear caught up;- But if the gods themselves did see her then, Unless things mortal move them not at all, And passion in the gods." Pol. Look, whe'er he has not turned his colour and has tears in 's eyes. Prithee, no more. Ham. 'Tis well; I'll have thee speak out the rest of this soon. Good my lord, will you see the players well bestowed? Do you hear? Let them be well used, for they are the abstract and brief chronicles of the time; after your death you were better have a bad epitaph than their ill report while you live. Pol. My lord, I will use them according to their desert. Ham. God's bodykins, man, much better. Use every man after his desert, and who shall 'scape whipping? Use them after your own honour and dignity. The less they deserve, |