nician fleets three thousand years ago; that I was looking on a city contemporary with Carthage, and which was old before Rome was born. On the distant mountain side I could see the towers of Ronda, where Julius Cæsar had fought a pitched battle of which he said, that, although he had fought many times for victory, he had fought but once for his life, and here was the spot; and Hannibal had here probably stopped when starting on that march which was to end only in Rome's abasement or her triumph. I thought of the advent of Christianity, and the dethronement of the idols of Baal; of Roderick, the last of the Goths, and his fateful love; of the coming of the Moors, and of the empire they reared; of the sorrows of Boabdil, the man without a country-the king without a throne; and as these imaginings floated across my brain as pinnacles before a soft south wind, a strain of music struck upon my ear. As its cadences floated across the tremulous floor of the sea, it sounded wondrously familiar. It was our national hymn. I turned; and there, thank God! our flag was flying at the peak of a man-of-war. A great lump rose in my throat, great drops rolled down my cheeks, I reached out my arms as if to enfold it. What to me were the historic scenes of Spain, and its fables, what its olive groves and acacias, what was Xerxes, Saguntum, the Alhambra, or the Guadalquiver? Yet, to one who knew not its significance, it was but a piece of bunting with hues harmoniously blended, not half so attractive as a painting or a landscape; but no Murillo nor the gardens of Atlantis, could have awakened any such emotions in my breast. What was it that endowed it with such power? It was the emblem of all I held dear on earth. It was home, country, power, protection, inspiration, restraint, society in solitude, wealth in poverty. From it as from a camera were thrown upon my heart visions of those I loved, of the beautiful city where I was born, of my companions in its streets, of the primeval forests of my State, of its environing lakes, of my country and its happy homes. F. W. PALMER. THE FIRST TE DEUM. WAS Easter night in Milan, and before TWA The altar, in the great Basilica, Saint Ambrose stood. At the baptismal font Saint Ambrose raised His hands to heaven, and on his face there shone An angel from God's altar bare a coal And touched his lips. With solemn step and slow He turned to meet Augustine, as he rose Up from the pavement; and thereou he brake "We praise Thee, God, And we acknowledge Thee to be the Lord!" "All the earth Doth worship Thee, the Father everlasting!” The antiphony: "To Thee all angels cry Aloud, the heavens and all the powers therein." And from the font: "To Thee the Cherubim And Seraphim continually do cry, O Holy, Holy, Holy, Thou Lord God Of Sabaoth! heaven and earth are full of all And then With upward gaze, as if he looked upon The unnumbered multitudes about the throne, Saint Ambrose answered, with triumphant voice: "The glorious company of the Apostles""Praise Thee!" brake reverent from Augustine's lips. "The goodly fellowship of the Prophets""Praise Thee!" "The nobly army of the Martyrs ""Praise Thee!" And back and forth responsive rolled The grand antiphonal, until the crowd That kneeled throughout the vast Basilica And when the last Response was reached, and the rapt speakers stood MARGARET J. PRESTON. CAT-TAILS. OUR old cats sat down to tea, FOUR And their robes were black as black could be, For the council was grave, as you will see, To decide the fate of Tony Lee. For a cruel, cruel deed had he done : "An example, I say, must be made of that," Said the oldest and wisest and gravest cat, As at the head of the table she sat, And held in her paw a morsel of fat. And heads were nodded and plans were made, For the crime these cats at his door had laid. 'Twas twelve o'clock when Tony Lee Sprang up in bed to look and see What the terrible noise could be That made him tremble and quake in each knee. Now, picture a moment the sight that he saw: There were cats on the mantel and cats round the door, There were cats in the closet, and on the bed more. There were cats on the table and cats on each chair, There were cats in the window, and none would dare To say if they ended on earth or in air, And each grave cat was dressed with care. In robes of black they were all arrayed, And every tail with care was laid By the side of its owner, who music made As her head and her body were gently swayed. And the poor boy gasped, but no word could he say, Then down from the mantel and on to the bed "Never again," she murmured low, "Shall you harm a cat or cause one woe." Then a long procession, moving slow, Passed over the boy from head to toe. |